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Henry Street

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Henry Street

Article

Henry Street is a recurring place in the Collected Agenda archive, appearing 4 times across 4 issues between July 27, 2024 and November 12, 2025. The archive places it in contexts such as “a new space on Henry Street”; “gallery openings on and/or near Henry Street”; “Every gallery on Henry Street is having an opening tonight”. It most often appears alongside Chloe Pingeon, Chloe Pingeon’s Substack, New York.

Metadata

  • Category: Places
  • Mention count: 4
  • Issue count: 4
  • First seen: July 27, 2024
  • Last seen: November 12, 2025

Appears In

Source Context

Recovered passages from the original issue text. When the raw archive preserved outbound links inside the source passage, they are listed directly under the quote.

COLLECTED AGENDA #6
July 27, 2024 · Original source
Sunday, August 4 from 2pm - 9pm - Princess Gallery celebrates the new moon, hosted by Tess Manhattan, TrustFundGoth, and more. I believe Princess Gallery is a new space on Henry Street, but specific details are unclear. What we do know: the new moon is “a time for manifesting & shedding what does not serve ??”
Inline links: Princess Gallery, Tess Manhattan, TrustFundGoth
What Are You Doing In The Fall?
September 03, 2024 · Original source
Wednesday, September 4 is a big day for gallery openings on and/or near Henry Street…
Statues Of Critics.
September 10, 2024 · Original source
WHAT I DID Thanks for reading Chloe Pingeon's Substack! Subscribe for free to receive new posts and support my work. Monday, September 2 I’ve been freelancing this summer, going back to school for a degree in cultural criticism. I'm hesitant to share any of this, I’m hesitant to share any purpose I have in mind for myself. I would like to tell people I spend my time lying listless in the sun. I tell a friend I’m getting my master’s in cultural criticism and he rolls his eyes. God, people like you need to be put out of your misery, he says. He’s a crude man, prone to social faux pas often intentional and sometimes not, and so I don’t take the thinly veiled death threat personally. I do balk in the face of the fact that I worry he might be right. I’ve been suspecting this for a while, actually. There’s a neurosis in my specific brand of ambition that turns it sordid when given too much thought. There’s a vulgarity in anything that too smugly equates fact and opinion. There’s a vulgarity in voyeurism. They don’t build statues of critics. Etc, etc, etc. I go to dinner late at The Knickerbocker. It’s my favorite restaurant, a better restaurant in winter, but my favorite nonetheless. Fall is in the air. You can really feel it here, where everything is dark wood and heavy steaks. I’m so sick of talking about the seasons. I woke up unhappy, but by evening everything is good. Tuesday, September 3 Evening, I’m at VERA’s panel on alternative art spaces at GONZO’S. Conor is moderating, and the alternative gallerists are talking about their alternative galleries. I’m familiar with most of the speakers, but there was only one seat left when I arrived, a bench in the corner and I probably shouldn’t have taken it but I did. From my corner, I can’t see the panel, but enjoy the anonymity afforded only to me. I can hear perfectly, but I have no idea who’s talking. The crux of the conversation centers around the morality and the logistics of these alternative spaces. Given my usual sensibilities, I am surprised that I am most interested in the economics of it all. A commercial gallery can be more interesting than a museum now, because a museum is beholden to its institutional backing. A commercial gallery is beholden only to the market, which has broader interests than a tastemaker on the board of the Guggenheim. An alternative gallery is beholden to… the artist, a different market, the same market but they’re a bit less beholden? A crime reporter turned Artnet reporter poses the question after the panel- besides a difference in commercial scale, how is an alternative gallery different from a blue chip gallery? He’s met with a slew of solid responses; different in the work they show, in the degree of risk taken on emerging artists, in the literal space they operate out of, which might be entirely unconducive to sales and profit. Afterwards, I try to smoke a cigarette on the Gonzo’s balcony and I’m asked to go outside. I go to a bar, I’m not drinking tonight, my friends go home and so do I. When I tell my boyfriend about the reporter's question, he rolls his eyes. Alt is a word you use to make obscure things relevant, he says. If you’re alt till you die, then you just never really made it. In the case of the artist, I think his point is often true. For a gallery, though, the things on the edges are always changing. Technically, one could champion the periphery forever, although longevity matters less with these things. Technically, too, everything one touched could turn to gold. Wednesday, September 4 Every gallery on Henry Street is having an opening tonight. I get there on the late side but it’s still like a block party outside, like Time Again this summer, like these are all the tiniest galleries in the world so there’s a few people milling inside but mostly everyone is on the street. In terms of the work, I like the Laurie Simmons show by far the best, but that isn’t really the point. There’s probably something to be said here about alternative galleries and about how these openings are actually fun and about how the crowds from each space here are spilling into each other and overlapping, but I can’t think of a point that’s not painfully obvious. These openings are actually fun. That’s kind of the thesis. Thursday, September 5 I’m reading at Confessions on Sunday. I write myself some prompts: I AM OVERFLOWING WITH GRATITUDE
Inline links: The Knickerbocker, VERA’s, GONZO’S, Conor, Time Again, Laurie Simmons, Confessions
Things that Happened Once I Gave Up Vice
November 12, 2025 · Original source
WHAT I DID Monday, November 3 And so everything kind of begins to hover as November sweeps in. The in between weeks. One can leave the city and then one can return. I call Amelia and ask if she’d like to go on another vacation for the aim of seeking things that are transgressive and weird, but the heat and the restlessness and the Miami sun of late-may is long gone, we never did visit the falconry like we planned, everyone would probably prefer to just stay put. Boil bone broth, go to a film, seek employment, write at the gym, braid and unbraid my hair three to four times before I decide to give it a rest. Do you really hate staying put that much?, Amelia asks. I go to the West Village Bitcoin Bar past ten pm in response. Still feverish from the last few days, but the wind outside is nice and the walk along Washington Square Park is quiet, tracing the streets along the park’s West edges past the brownstones and the Washington Square Hotel and the Marlton Hotel and then Pubkey Bar. It is not so much a thing of hating to stay put, but more of feng shui, four small walls, wind and water through my open window and I think most people dislike solitude of a certain kind, which can easily be mistaken for stillness. Pubkey Bar is always lit up kind of like an arcade. They sold some sign about crypto for one million dollars here, once. They sold the president’s autograph. They made me pickletinis and diet coke and seed-oil-free nachos and I used to be kind of manic here, drunk and yelling in the wind and on the street. It is such a desperately quiet night tonight. My friends are seated in the back rooms talking softly about the most valuable parts of a whole whale, their most favorite things about the people close to them, the best sound to elicit tears, the best cherry liqueur, the best ideas for how a person should be. It all comes at me kind of underwater, anyways. It’s all felt kind of shadowy as this year writes over the year before. Tuesday, November 4 And so all the energy came swirling back in an instant. They are playing sweet music like some of the My Fair Lady and the Mad Men soundtrack and J’ai 18 Ans and Zou Bisou Bisou at the hotel lobby with the roaring fireplace and the Cecily Brown mural and the young couples wearing cream slacks and red sweaters and holding newspapers and crinkled baskets of pastries. I have loved winter in New York the most of anything these past few years, and I’d been worried this one would not hold quite the same magic. Walk through the park while it is still early. Wear mostly skirts and tights and thin strapped tops and ballet flats, all black. Order ginger turmeric tea and almond milk cappuccino and write stories by the fire. Disavow hedonism. Disavow becoming the sort of person who does the certain types of things. There’s an order to these things. I tell Amelia; it is good to be mostly quiet. It is good to go to mostly the same places a million times over if the places one chooses are good. Wednesday, November 5 Did you notice everyone became very pleased that you were becoming exactly who you were meant to be when they first put you on Adderall?“ Ellie asked me at the party last night. The night was very warm and the party was very quiet and I was pleased with myself for my relative self possession that evening, which was the goal of the fall and the winter and the days that stretched out kind of breathless. Secret-keepers and Promise-Keepers and finding equilibrium between Self-Possession and Self-Awareness. These were the vaguely worded goals of the winter. No I didn’t really find that, I told Ellie. But I never got the chance to live out my potential on stimulants because I took it too far right away. Ellie nodded with sincere interest. My friends these days were very sincere. And the party was strange because the seating was in bleachers instead of tables and the music was jazz and my friends were very well dressed, decked in corsets and ballet flats and beaded belts and hair with ribbons and holding sparkling drinks with lime and aperol and smiling very broadly. I noticed that time had been passing all along sometime in early November. and so the following fervor came spurred by the sense that something might finally happen. The air got barely perceptively colder and ghosts washed up in dreams or in my courtyard or in signs and symbols like the strange numbers I’d been seeing on the sidewalk. It had been five months to the day since the start of summer and the lurching of my life in unexpected and nefarious though perhaps ultimately necessary ways, which I suppose just goes to show that some sort of momentum was required for time to do anything aside from idly tick on. I remembered that it is just one or two or three promises I make myself and others, though it becomes one million promises if you break one promise a million times. Thursday, November 6 I did nothing in the day yesterday besides watch the clouds make shadows out of various shades of light and dusk across my walls and then I pulled on a small black dress and black Ganni crumbling boots and walked through the quiet night towards Chinatown. The air was too stale and tight inside the sports bar where my friends were all smiles and drinking water and vodka and asking me about fun and faith and so then I walked further downtown to the new wine bar on Henry Street. Here, everyone was very drunk and cast in red light and our table was set in a hallway that resembled a kindergarten classroom and an eclectic group of acquaintances I knew from the Internet or Birthday Parties or Religious Magazines were sharing bottles of wine. To sleep very little means a dream state in the gray morning, which is nice because November Ninth marks the first real distance from the summer for me. The cycles repeated. The cycles grinded to a halt. I woke up to gray morning light through my still open window with a spiral bound notebook and an idea for transcription on the blank page: THINGS THAT HAPPENED ONCE I GAVE UP VICE. Friday, November 7 Listening to Chopin Nocturne op.9 no.2 while the sound of rain mixes with the sound of the turtle pond out the window and I swim in all the visions of where I’ve heard this song before. Like twirling around on brown wood floors during summer storms in the dining room at the house by the ocean while my parents cook fish stews in the kitchen and the floors turn yellow linoleum when you approach the stove and the pouring rain outside streams through the windows and all over the counters. The memory of twirling around and the smell of rain is always the most vivid of all. Like I’m always hurdling towards something or lying very still in all my recollections of things. Obsessed with motion. Arrested by motion! So the main thing now is momentum, I suppose. My Computer keeps on queuing up Chopin the The Nutcracker and Philip Glass Mishima based on past listening habits, but these two scores are both a bit too much to bear right now and so I’m hitting Skip Skip Skip. Not too much has happened since I gave up vice yesterday. Just; Rebecca told me that I look well rested, and the story about El Salvador and network states and techno-spirituality is off to print so I will soon be able to hold it in my hands and then relinquish any narrativization of past events and, it would be nice for energy drinks and nicotine to be coursing through my veins right now but there is something more beautiful and languid in self-induced timeout over microplastics and mind altering substances. Moonless night. Moon hidden behind the rainstorm. WHAT YOU SHOULD DO Wednesday, November 12 From 6:30pm at Night Club 101 — Free reading series Reading 101 launches, ft Swati Sudarsan, Adrienne Raphel, Jessica Lynne, Aurora Huiza, and James Barickman. Music by Solex Yoghurt.
Inline links: Night Club 101, Reading 101

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