Franz Kafka
Article
Franz Kafka is a recurring person in the Collected Agenda archive, appearing 4 times across 4 issues between November 26, 2024 and January 13, 2025. The archive places it in contexts such as “Franz Kafka Exhibition… lectures on topics like The Kafkaesque, Kafka’s Last Trial, and Kafka and Vagabonds”; “I go to Franz Kafka at The Morgan Library”; “artists influenced by Franz Kafka’s legacy…the currently on view Franz Kafka exhibition”. It most often appears alongside David, New York, Sovereign House.
Metadata
- Category: People
- Mention count: 4
- Issue count: 4
- First seen: November 26, 2024
- Last seen: January 13, 2025
Appears In
Related Pages
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- David (3 shared issues)
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- New York (3 shared issues)
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- Sovereign House (3 shared issues)
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- The Morgan Library (3 shared issues)
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- Anna (2 shared issues)
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- Baby’s All Right (2 shared issues)
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- Berkshires (2 shared issues)
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- Chloe Pingeon (2 shared issues)
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- Dasha (2 shared issues)
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- Dean Kissick (2 shared issues)
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- Harper’s (2 shared issues)
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- Jean’s (2 shared issues)
External Links
Source Context
Recovered passages from the original issue text. When the raw archive preserved outbound links inside the source passage, they are listed directly under the quote.
I’ll be spending my last full day in New York before holiday travel at The Morgan Library's new Franz Kafka Exhibition. This exhibition is on view through April 13, 2025, accompanied by a series of lectures, tours, and additional programming on topics like The Kafkaesque, Kafka's Last Trial, and Kafka and Vagabonds.
Before I go away for Thanksgiving, I go to dinner at Decibel with Madelyn. We go to Pardon My French for a martini. We go to KGB. I go to the Lower East Side, I go to a going away party, I go to the bodega, I go home. At a party in the Lower East Side, a girl is talking about censorship, the age of censorship, how liberated she feels by the passing of This Terrible Era. "So what do you want to say?" Her friend is asking. "What?" the girl says. "What were you waiting to be free to say?" The girl rolls her eyes. "It's the principle" "Yes," her friend is saying. "The principle is important, but you can be free to do whatever you want and still be entirely uninteresting." At a party in the Lower East Side, people are talking about The Internet. "Everything you say is regurgitated from The Internet," the girl is telling her friend. Before I leave New York for only a few days, I go to Franz Kafka at The Morgan Library. It's not a very nice exhibition. They've put pop up walls and bright colors and crowded superfluous exhibition text all over the whole place. I write a review, but then I think it's kind of snarky. It's ok to be mean, but it's not ok to be cheap. "Why are you afraid of being mean," someone asked me a few weeks ago. "Because I don't want to say things that hurt people close to me," I said in response. What I should have said is - because what if I'm mean for nothing? What if I'm mean and I'm wrong and it's cheap. I get a martini at Moynihan Station. David cuts the Amtrak line. “What are they going to do?” he says. This infuriates a woman near us. Afterwards, I think I see this woman everywhere. She's sitting next to me at The Tunnel Cafe. I book a dermatology appointment for when I'm back in New York City. Select any provider, I say. I receive my confirmation email shortly after and I swear to god - the doctor they assigned me is the woman from the train. I cancel the appointment quickly. If this is fate, then it stems from nothing good. God‘s hand has nothing to do with it. Someone is simply playing tricks. the Amtrak Some things that happen in Massachusetts are: I behave very badly. I can't find my keys. It's raining. I can't go outside. I'm in an airbnb where I have never been before and It's so cold and these walls are gray, nothing like home, a lot like the kind of walls that one could imagine closing in. I start shaking by the window and I think about how I could probably be someone who does something like punch a hole through the glass. I wouldn't do this, but it's strange to feel capable of it. I think about how I should probably just go outside. It's objectively strange to spiral. I never crash out. I don't know why gray wall to wall carpeting and people talking too loudly and vicinity to an unknown suburban street freaks me out so much. I wish I could scream at the sky and the rain would stop just like that. I calm down. I don't actually wish I could control the weather. That would be no kind of a life. I go to a hotel I can't afford and I try to break into their gym to use the treadmill. I can't get into the gym, but no one stops me in the lobby. I drink their lemon water. I drink almost the whole pitcher. I call my dad and I say can you please come pick me up now. In a different house, a house that is familiar, a house that I have always known - I sit by the fire, I sit by big glass windows, I watch Vicky Cristina Barcelona (2008), I drive to the snow. "I'm driving to Florida to drive to the snow," I say. Welcome to Florida, Massachusetts the sign on turnpike says. It's a white sign flanked by plaster palm trees. A little snowman with yellow hands and feet throws his hands in the air. Troop 76 Pack 76, the sign says. It's a blizzard up the turnpike. It's snowing in thick wet sheets. It's the type of snow that's fast and heavy, almost like rain but it's opaque and it's sticking. Everyone gets out of the car but me. I'm too cold, I say. My sister is throwing snowballs. I get out of the car too. We drive down the mountain. My dad plays Alice's Restaurant by Arlo Guthrie. We play all twenty-five minutes of it and then we play it again. We pick up David. Do you want to hear Alice's Restaurant?, I ask him. Alice’s Restaurant, Album Cover Things are nice, from here. WHAT YOU SHOULD DO Tuesday, December 3 From 5:30 - 7:30pm at Il Bisonte — Yolo Journal celebrates the new Fall/Winter issue. I love few things more than a beautiful travel journal (something that has become few and far between). Yolo Journal, however, fits this bill to exaction. Wine provided by Franciacorta. RSVP to ilbisonte@novellapagherapr.com
Inline links: Decibel, Pardon My French, KGB, Franz Kafka at The Morgan Library, The Tunnel Cafe, https://substackcdn.com/image/fetch/$s_!Ir9V!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fbd04dfd6-f357-422e-a521-9d17731dfe1b_4032x3024.jpeg, Vicky Cristina Barcelona, Alice's Restaurant, https://substackcdn.com/image/fetch/$s_!WxiA!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fe78658ae-4123-4810-ad03-f0e13a55cd31_316x316.jpeg, Il Bisonte, Yolo Journal, Franciacorta
From 7:00- 8:15pm at The Morgan Library — Kafkaesque: Creative Responses to Kafka brings artists influenced by Franz Kafka’s legacy into conversation on the occasion of the currently on view Franz Kafka exhibition. To be honest, I thought this exhibition was really poorly organized and boring, but the accompanying programing seems interesting, and aims to provide further context.
Inline links: Kafkaesque: Creative Responses to Kafka
Tuesday, January 7 After briefly losing one's mind, simple tendrils of thought that gesture towards sanity become disproportionately lovely. I’m reading Kafka, still - my godforsaken piece on Kafka coming out next week and then I can abandon these stories for good. It’s been nice to delve deeply into a topic, nice to hate everything I have to say so much that I rephrase it over and over again, nice to consider language with an eye towards cognizance, towards if it actually makes any sense. Most of the time, I write and speak out of necessity, or even, desperation. Clearing the mind. Purging the soul. I am a diarist - self indulgent. Or perhaps, it’s just something else entirely. It’s something different than an artistic practice. Criticism and fiction necessitate at least grasping towards some idealized form of clarity. Writing about writing - awful, boring, should never be done. For now, it’s like I'm in highschool. Reading “Josephine the Singer, or the Mouse Folk” under the comforter with a reading lamp turned all the way up. It’s still early afternoon but it’s too cold, too windy, the draft is vicious through the greenhouse roof. I have my head under the blankets and so it’s like a simulation of evening. David keeps the reading lamp set to soft orange light, and so it’s like a simulation of candlelight, too. I’m exhausted and so I’m stretching reality. I’m stretching a story out of thin air. Now, I’ll go to pilates and stretch on an empty floor. I’ll go get nail polish remover from the boxes on the highest shelf or, if missing, from the CVS next door. Kafka’s Josephine is a wretched character. She possesses a firm belief in her own entitlement to a life of leisure on account of her artistic talents, but of course she lives in a time where wretched conditions have rendered real artistic talents inconceivable. She is not only un-talented, but also a fraud. There are notes that could be made about self-recognition in this spoiled, awful, regrettable character, but I’m sparing myself. We go to Big Bar in the evening. I've never been before, but it seems to be a spot that people know about. I knew it would be these people here, my friend says when we walk in. I don’t really recognize anyone, but that's often how these things go. The bit with Big Bar is that it's actually an extremely small bar. It's all drenched in red light and there’s a tiny DJ booth by the front window and it's cash only, the drinks are not terribly strong, but they are cheap. Someone has a small dog in a carrier in their arms, but no one seems to notice aside from us. This seems like a spot for old heads - of which I am not, but I enjoy the company of. Wednesday, January 8 Meeting with Beckett and Jonah this morning at Caffe Reggio to discuss Tense - Reggio is full and so Beckett suggests Dante. It’s not like he remembered it, now. It’s a coffee shop, he says, but it’s a cocktail bar now. Expensive green and red martinis in thin glasses whirling through the room even now, at two pm. They still let us sit for coffee. I have an interview after. Madelyn texts me. At Altro Paradiso at 3pm, they are saying goodbye to the head chef. I’ve gone to Altro Paradiso a few times recently, because Madelyn works there mostly, although even independent of that it’s the best food I’ve had in New York in a while. Today, I was in a rush, the plans were last minute. I'm still wearing my workout clothes and their ‘archival lululemon’ - hand-me-downs from a closet of a friend of my mothers when I was about thirteen years old. The shirt is striped and black and white and a small band bearing slogans like “nothing tastes as good as skinny feels” folds up or down at the hem, depending on how flagrantly antisocial you feel like being on that particular day. I’m keeping the band folded under today. I’m wildly underdressed but it’s afternoon, the restaurant isn’t even technically open yet. There’s a toast to the chef and I’m the only outsider in attendance and so I stay at the bar while the group of staff and friends and family assemble. It’s very special, even to bear witness to as someone uninvolved. There’s a heart and soul to food and drink and service that other industries, even creative industries, really don’t have in the same way. I’m a tiny bit tipsy, now. I need to start hostessing again. I make this note on my phone: “NEED TO START HOSTESSING AGAIN!!!!” We stay at Altro Paradiso til dinner starts, and we continue to stay till it feels like dinner is about to end. Everything is magical - the alla prima cocktail, wine, dirty martini, pane e ricotta, salad with figs and dates, octopus, olives, oysters under beds of thinly sliced veggies, malfatti (which is pasta that is like little pillows), linguine al nero (which is pasta with squid ink and cuttlefish and basil), a few deserts - pistachio ice cream and the pear cake. The afternoon turns to a sparkling evening. I walk home. I go elsewhere, after - fun too, but I probably shouldn’t have. I should probably learn when to call an evening. Decadence in excess, turns all that sparkles sour. Thursday, January 9 It's been the same day on repeat so far this year. The same three days, really. Rinse and do it again. The year has only held nine days. I can't view my stagnation with too much harshness. Decadence, in contrast, should be viewed with harshness. Los Angeles is burning up and it feels uncouth to talk about this here as this tragedy is not my life, but I can't stop watching. Most emotions are triggered through all five senses - it's a strange feeling of muted horror to see destruction of places and lives you know on a screen, detached from your physical experience but visible in real time in your cognizant mind - peripheral vision. I accidentally get stuck in the Louis Vuitton x Murakami line in SoHo. I accidentally steal a pair of Split sweatpants from the gym. I accidentally read all the books on the 4chan 2024 Top 100 Lit Board list. I'm on tiktok watching videos of the apocalypse overlaid with Lana del Rey audio. I’m browsing r/lainfluencersnark and they have a lot to say about the way their parasocial relationships are handling the apocalypse. I tried to write something about phones and chaos and end times but it was silly. These are resources / writing from people in LA. The Angel - L.A. Fires — How to Help
Inline links: “Josephine the Singer, or the Mouse Folk”, Big Bar, https://substackcdn.com/image/fetch/$s_!Wp05!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F9a23d264-68fb-4db9-aada-e135b8a1ffb2_1200x1600.jpeg, Tense, Altro Paradiso, The Angel - L.A. Fires — How to Help