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The Odeon

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The Odeon

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The Odeon is a recurring venue in the Collected Agenda archive, appearing 4 times across 4 issues between March 17, 2025 and September 26, 2025. The archive places it in contexts such as “We go to Tiny Bar, and then the Odeon”; “The theater is next to The Odeon, so you can get my favorite martini before or after the show”; “smoke cigarettes outside The Odeon after”. It most often appears alongside Los Angeles, Confessions, Financial District.

Metadata

  • Category: Venues
  • Mention count: 4
  • Issue count: 4
  • First seen: March 17, 2025
  • Last seen: September 26, 2025

Appears In

Source Context

Recovered passages from the original issue text. When the raw archive preserved outbound links inside the source passage, they are listed directly under the quote.

Here, There, Everywhere
March 17, 2025 · Original source
Tuesday, March 11 The things I overhear begin the process of reconsidering all over again. You confess that the knee jerk reaction is one of possession over things you do not even want. You confess that you do not want to tell that story even if this particular story is one that has always been yours. We go to Tiny Bar, and then the Odeon. Earlier, it was like they were doing a character study in the things you overheard. Wednesday, March 12 I went to St Dymphna tonight, but I didn't hear a single reading and I didn't watch Heat (1995) when I got home, even though David had it playing on the projector, even though he kept on playing scenes of significance over and over and over again. This is me and you, he kept saying, when some girl in some house with some glistening pool in Los Angeles calls her husband names like gambling addict and child the years keep passing by, and then the husband screeches off through Hollywood in a nice sleek car. It's not us, really, but this wouldn't be so bad. I want to party beautifully forever, David said a while ago. The key part being: beautifully. Maybe this is how people party in Los Angeles. This isn't really how people party in New York. And I should have gone to Poetry Project, to the after party for the Anne Imhoff show which I am guilty to admit I never saw in the first place and now it's too late, to the club, maybe. It's not that I worry what I missed, it is just that time passes faster when I am not here there everywhere, and I like it best when time slows down. In my dreams, my consciousness can take one second and turn it into one year. Here are the songs tonight. And the shoes are the shearling style cowboy boots my grandmother gave me from her closet last thanksgiving. Love For Sale - Tony Bennett, Lady Gaga
Inline links: Love For Sale - Tony Bennett, Lady Gaga
Total Nightmare Policy
May 21, 2025 · Original source
From 7pm - 8:30pm at The Flea Theater (20 Thomas St) — I’ll be seeing Revolution: The Play. Sophia Englesberg is associate producer, and everything she touches is wonderful. Written and produced by Brett Neveu, directed by Rebecca Harris. The theater is next to The Odeon, so you can get my favorite martini before or after the show. - “Who celebrates their 26th birthday in the alley outside of her hairdressing place o’ work? Revolution interrogates and celebrates the very nature of creating community and building friendships in our ever-evolving, ever disconnecting world.”
Inline links: Revolution: The Play, Sophia Englesberg, The Odeon
generative and godly secrets
May 27, 2025 · Original source
Wednesday, May 21 There were two cigarettes and two glasses of wine at Voile de Nuit. This becomes some sort of Diary of Consumption. I met Ellie at a tall house on a wooded street in the West Village where she works on things pertaining to design and then we spent the hours in the courtyard of Voile de Nuit, which I adore because it’s reminiscent of Summer and Reality. I behaved badly the last time I was here. My boyfriend comes by to drop off fries. We run into friends at Caffe Reggio and it's raining by the time we reach home. My boyfriend says: Spreading secrets is entropic Keeping your mouth shut is static Spreading misinformation is generative and godly I do think he is mostly kidding. It's Simone Weil who says about rage - “To be able to hurt others with impunity—for instance to pass our anger on to an inferior who is obliged to be silent—is to spare ourselves from an expenditure of energy, an expenditure which the other person will have to make.” And I wonder which character I am in this story and it's not always the good one. I was thinking about all of that in the novel. That and the self surveillance of it all. Unfortunately, my thought experiments are ruining my life and also, the novel is ending up being All About Me LOL, too. The play tonight (Revolution at Flea Theatre ) is nice, because I walk through the rain to get there and smoke cigarettes outside The Odeon after, and because its depiction is of genuine weirdos, not like Quirked Up, not like the girls my friend texts me about after the party, “have you met them? so spacey!” not like, becoming strange because of course there is some desire to conjure up some personality and if you’re pretty then it’s fine and even appealing to be off-putting. The play is like grocery store clerk alcoholic, gun in the purse grocery store clerk alcoholic, therapy speak coping mechanisms like count up then down then up and it’s employed in the play as the coping mechanism not as an ironic tactic. Drinking beers on a birthday in the back alley and the play is disaffected from glamor in a way that I’m realizing not many things are. Like even most depictions of poverty in a lot of media, at least media coming out of New York at least certainly media surrounding youth culture and a narrative surrounding a party, goes like; we have nothing but we’re slippery adjacent to everything as a result of our charm and good looks and happenstance. The play is like, leftover charcuterie from her husband’s weird mega church and splurging at the liquor store and old cocaine shoved into a bowling ball but there’s an innocence and almost childlike wonderment to the way they tackle the expired drug situation, and the play is not about drugs. There’s a genuine kind of earnest stiltedness to the conversation that lends itself to sincerity. Thursday, May 22 May is quivering right before me; I'm not letting it lapse like April did but there are still smokescreens, silkscreens, my fingers are sleeping right through it. The Club, last night. The Play then The Club. It was smokey and sweet. My lungs felt coated in something sour by the end. The smoking patio was wet with dew and I was kind of floating, not in a bad way. Not hungover, it's something way more visceral but still hazy. I could feel it all start to slip, and so I held onto myself quite tightly. My boyfriend's screen time is 102 hours a day across devices. My face is encased in sheaths of plastic that keep you young, but they're not the temu kind that's weird and freaky. The light I use is Science Backed. I'm thinking of getting into vintage workout wear. I'm thinking of getting into Vlogging. I'm thinking of getting into filling out paid surveys online for luxury perfume sellers that require you to swear your spending habits are High and you like perfume from MiuMiu and you Hate Balenciaga and what perfume means to me is; I think sometimes scents can bring up... nostalgia? I say. Do you own a Prada dress? they ask. We leave the party early - I'm sick and he buys me chicken caesar salad pizza. Aren't you glad we left early so we could dance a little at home, he says. In the living room, the windows are all a little frosted from the rain. There are lights in the neighbors windows across the courtyard but it's thursday night, the rain has stopped. You couldn't have expected everyone to just stay home, really. I notice the people in the windows if he is spinning me across the room. Exhibitionism. I catch myself in the peripheries. The windows. The back of my mind. And I never shut the blinds but that is just no Executive Function or Detail Orientation. I am not some sort of voyeur. Friday, May 23 10:45am, and they are playing some kind of staticy electric classical mashup of music from the Fedex truck outside. "Even as a grad student, I felt they were looking down on chaos," one young man at the Yemeni coffee shop is telling another. Buying: coffee and chicken quiche but none of that is for me. Buying: peanut butter perfect bar and celsius and my boyfriend's screen time is up to 316 hours since midnight since he's doing things indiscernible to me but which he clarifies are Not Fraudulent. I am trying not to write so much in the google doc diaries. It is like I have learned these diaries as a trick, and now I am addicted to it. Now, I can’t do anything else. I must release all thoughts, but to release one thought I must go through, again and again, everything else. And so I go through it all, again and again and again. The thought, and then everything else. We were going to talk more about Spirituality today, but the tripwire keeps happening - stuck on: Vanity and Careerism. I make subheadings to keep myself in check. VANITY. CAREERISM. CAREERISM: Here is where I am: I have the substack for now which is nice this is something that I suppose in some ways is a defining thing I have done but it does not feel like so much it does not feel like it culminates to anything just proof of existence, yes, but everyone has some sort of proof of existence and it is nice to write the story behind something. The story itself cannot just be the story of writing about yourself. And for a minute I was very very very sad and so that plotline became dependable, but that is no sort of thing to rely on. And this is why it cannot all just be the writing of the self. It hasn’t been. [redacted] felt like something different, investigation, beginning middle end, it was not just here I am, it was like a puzzle it was like being very precise with it and it was the biggest thing I have done so far and I sat with it for such a long time. And perhaps I am being dramatic because there are other projects I could start in the meantime but I can’t sit down and make myself think oh what would be an interesting and pithy thing to talk about for somewhere glossy, I cannot do it. I think about doing it and my stomach rises into my throat with how little I care. And so it has to be a story that bursts out of me. There was one, and I can tell there is almost something else too but it’s like David said yes, it’s difficult while you are in the waiting room. Since beginning writing this, my fever got higher, and we are hanging the Bacchus masks around the apartment plus yellow golden softlight and, now I feel more peaceful about it. I wasn’t having so much humility. Nevermind. WHAT YOU SHOULD DO Tuesday, May 27 From 6pm (show at 7pm) at Baby’s All Right — Baby’s Presents a benefit concert for the Immigrant Defense Project with Palehound, The Ophelias, and Grumpy. Dj set by WeTakeManhattan. - “All proceeds from the show will go towards supporting the IDP’s 20+ year mission of fighting for the rights of immigrants targeted for imprisonment and mass deportation via advocacy, litigation, legal advice and training, community defense, grassroots alliances, and strategic communications.” | GA (18+) $38.86, Ticket and Bonus Donation $49.69
Inline links: https://substackcdn.com/image/fetch/$s_!QlxV!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fb9c5eb95-81d2-4503-852b-4bdc513730dd_698x434.png, https://substackcdn.com/image/fetch/$s_!0g1m!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F3da24e28-0d39-4802-abf2-53116dd83b00_308x392.png, Baby’s All Right, Palehound, The Ophelias, Grumpy, WeTakeManhattan
Apocalyptic Ideation
September 26, 2025 · Original source
WHAT I DID Monday, September 15 Joe and Darby drove me back all the way from Washington DC to New York City yesterday. Me, nauseous sort of hungover laid flat in the back seat, shoes pressed up against the already smudged glass window and the September sun reflecting off the highway and the hood of the car and the tar black pavement turning everything so warm inside. A long warm drive where time passed somewhere between not at all and all at once. Too lethargic to really notice. We turned on a tape. The Shirley Jackson story based on all those girls wearing distinct raincoats that were disappearing into the woods around Bennington, Vermont in the 40s and 50s. In the story, nineteen year old Louisa Tether runs away from her beautiful old white wood Massachusetts home and nice-enough family on account of mostly a sense of ambient contempt and a desire for a whole new life. As it turns out, one can get a whole new life without too much trouble. All it takes is swapping out your nice blue jacket for your old rain jacket and retreating to a town that is not too-big but still-big-enough. Three years later, Louisa Tether is Lois Taylor. In the story, Lois Taylor tries very hard to act in accordance to the stories she is telling herself. This, Lois Taylor learns quickly, is what it takes to be a good liar or maybe just a new person, the two are kind of the same in this case. I doze in and out of sleep, but the sound of the audio-book is nice and I am curious what will happen when Louisa decides to come home. “Louisa Please Come Home”, the story is called. It ends with a chance encounter, a change in whims after three years, and the realization, too, that it is just too late. By that point, it is just too late. A three-years-older Louisa washes up at her three-years-older family home and her three-years-older parents and sister look into her just slightly aged face and irrevocably changed eyes. It’s just been too many years of playing pretend. You shouldn’t pretend to be our Louisa, Louisa’s parents say. You have a family who loves you, and you should go home to them. We hope that someday, our Louisa comes home, like you should go home to your parents. Our Louisa was younger than you, Lousia’s father explains. In my own small and strange apartment things are still a bit cluttered but at least nothing is sterile. I made a call and I imagined a big white Massachusetts home. A stone patio in the back and still-green trees and hobby horses in the front. Windows that I could stare in and a door that I could still walk through because I have never run away. An old car and quiet roads and little red berries that crunch underfoot this time of year. Three years is quite some time. This part of the story made me uneasy. The emphasis on how much older all these should-be happy and youthful people look after only three long years. New York City is still so steaming hot. I weigh my options, and decide to stay for a while. Tuesday, September 16 In my life where I am staying for a while, Celia sends me mantras in the night. Today is a good day to become harder to kill and easier to love, Celia says. I have already seen this mantra on Health Gossip, but I appreciate it all the same. I wake up in a room that is small now, and so it is easy to take quick stock of things. The light and the white bedspread and a little gold swan and gold watch and gold cross and black Orca stone of Protection clustered on the edge of the table. Celia is joking I presume, but most things do come down to energy and integrity. Volatility is what emerges when there is energy without integrity. So; I am working on things. In the morning, there are mantras from Celia and there is sludge and dirty water seeping through my ceilings from the bathroom of my always-yelling-upstairs-neighbors. This is not so much a thing of patterns and symbols everywhere for those with eyes to see, and more an indicator that people who are very loud often also live kind of disgusting lives. One kicks into gear. Call the people one should call. Say thank you very much and the anonymity of these things still feels strange. I am very easy to kill like most people are and I don’t really believe in quantifying or even speaking on things like easy to love. There is lymphatic drainage and athletic resistance and pyrogenics and snake oil face tape and blue multi peptide serums and red light therapy and real sort of detox incoming because yes, there needs to be one of those soon. I sat at Dr. Clarke’s with snake venom filled saki and martini and free champagne til late enough last night to say goodbye to friends who come and go in and out in this city and then I wandered home through the remnants of the never-ending-San-Gennaro fair, where teens were scrambling on the ferris wheel and a nice seeming man was shilling free fried oreos. I sat at The Odeon which is really just the perfect restaurant til almost sunset tonight, perched at the bar alone for a while waiting for Celia to arrive, old school vibe, pink and green glowing clock, men walking in straight from the plane carrying luggage. I ran into an architect and an editor and there was talk about throwing a party. Celia arrived full of stories about design and plans that made me full of energy and a night and life that could stretch endlessly if I could find it in me to not flee shortly after dinner. Are we going to an after party, Celia asked me. I presume I’m un-invited because of an incident where I was acting hard to love and easy to kill, I told Celia. That’s ok, Celia told me. We went to a reading instead, where the lamps were stained glass and the stories were about people who are too bored to cook but still need to eat. We went to a party then, too, which is always how these things go and then I wandered home through quiet streets of the Financial District and up a ways and it was too late for anyone to still be out shilling anything or too quiet for me to stop if they were, regardless. The windows were left open at my new and strange apartment and I counted the turtles in the clean water in the pond outside and back inside the water had stopped dripping through the floors of my horrible neighbor’s disgusting and loud apartment. Dirty water, clean water, everything dripping out all over the floor and the pavement and then someone cut the supply and so; the cycles repeated nine million times. The cycles repeated and then they grinded to a halt. Wednesday, September 17 There was the idea of thinking about oneself until one invented an entirely new self. There was the idea of finding the place between past and future which of course logically concludes with present but, definitionally becomes hard to sort out. Something like wading through mud which these rooms often seem to be full of these days. I am reading a story about the Organ Donor Registry and why one should remove oneself at my party on Saturday. You will know you are ready to have a child when you are tired of taking care of yourself, Veronica says, in the story, and she said it to someone else in real life, because this part of the story is true, though it is not a true story. One can think about nostalgia and how to fill a day and right from wrong and if one is sincere or not and how to tell based on things like your own sense of your own soul and the cadence of your voice and often based on things you can kind of just see in the faces of yourself and others. I realized a long time ago that I live a life that people are interested in reading about, K said on the Internet. How to fill a day? I could have been far more voyeuristic about all of it. Instead, I talk about how to fill a day. I could have been far more interesting. If I am going to think about something besides myself it should be something fun like art not physics, Amelia says. I am going to think about: buy a Sony camera and make some flat-lay videos and join Raena Health to figure out the root of things and become very strong from all the climbing and write the story about Gnosticism or what happens when people seek meaning in signs and symbols when it’s all just randomness and is it a form of nihilism to turn towards religion if you are really still not sure? I am skeptical when people are very certain about things, Iris says. You’ve been learning to withhold your opinions but I hope it’s not just because you have none, Celia says. At the party - another party - everyone is very well dressed in things like linen, and I fit right in by coincidence because I am wearing a blue linen shirt. Are you bored yet because I am, Rose says. I am endlessly entertained, I tell Rose. But there were other problems too. Thursday, September 18 You don’t need anything but this, the waiter tells me at 9 Orchard. It is 2pm and hot. He brings me a Tequila espresso martini listed simply on the menu under; Day Drinking. He brings me a salad that is chock full of thin gray hairs so he removes it from the bill. Saoirse joins me. We are here to write in the Blue Room, but both our laptops are dead on arrival which is evidence, really, that neither of us were really here to write at all. We are here to hang, Saoirse keeps on saying. It is productive, really, because there were many things that had to be said at some point, and if a task necessitated completion at some point, well, now is as good a time as any. The bar at Nine Orchard is full of business people and weekday leisure. Wearing sunglasses. Drinking diet coke. I’ve been trying to be less gluttonous about it. Everyone is hoping to take advantage of the last dredges of sun, and so Saoirse gives me a hotel tour and then suggests we go outside. New ownership at the hotels around here. New blazing hot fires in the blue rooms at the hotels where the shades are pulled shut against the still blazing hot autumn resistant summer heat. We do cartwheels in the ballroom. We aren’t asked to leave. Before there was Dimes Square, there was The Metrograph, a German walking tour guide is saying, back on the street. No way that is real, I am saying to Saoirse. I see them all the time, Saoirse is saying to me. We walk to Le Dive. The hours tick onwards and so today is the last day of it. Last days of gluttony. My second-to-last-day in my-gluttenous-life. Saoirse is showing me a free library web application. Saoirse is showing me a free web application to read The Bible a little bit each day and then all at once in one year. Saoirse wants to sit outside. Saorise wants to drink wine. Saoirse wants to remind me how much better my life is now and I want to say; I’m not sure if I agree, I can’t drink sulfates, I am kinder now certainly, I am happy in this moment, I am sorry, I am sorry, I am sorry. I am so sorry for how I used to be and how I’ve been. I walk home as the sun fades. Plans for self improvement. Plans to revel in solitude (the thing I hate most). Plans to stay for a while. I don’t want to, really. I have been talking about how the apartment is clean but I still won’t let anyone else come inside. I imagine a winter where I was the happiest I’d ever been. You will be that happy again, Saoirse says. It’s ok if I’m not, I say. I imagine it is just one life all at once. I imagine what I think about when I pray. I imagine somewhere else. A place full of wind and desert and proverbial change that wouldn’t come. So, there is nowhere else but here. I decide to stay again. I decide this every day. Friday, September 19 An Aristotelian tragedy requires the tragic figure to be a hero, which is why it is particularly disappointing to suffer while you are feeling irredeemable. Apocalyptic ideation is when you’re thinking about how good you’d be at the apocalypse. Relentless optimism is when you’re challenging your friends just to see if they challenge you back. I wear a black dress to go ballroom dancing. I eat meatballs and gem salad and drink sparkling water at home. What are you doing today, Iris asks. Throwing a party, I respond. WHAT YOU SHOULD DO Friday, September 26 From 7pm at EARTH — Patrick McGraw, JT LeRoy and Meg Superstar Princess open for Laura Albert.
Inline links: Health Gossip, EARTH, Laura Albert

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