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Cipriani

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Cipriani

Article

Cipriani is a recurring venue in the Collected Agenda archive, appearing 2 times across 2 issues between January 23, 2025 and February 25, 2026. The archive places it in contexts such as “people in the windows of Lucia and Cipriani but otherwise it’s all empty”; “I used to get drunk-before-christmas at the midtown Cipriani”. It most often appears alongside Tibet House, Washington Square Park, 4 Berry Street.

Metadata

  • Category: Venues
  • Mention count: 2
  • Issue count: 2
  • First seen: January 23, 2025
  • Last seen: February 25, 2026

Appears In

Source Context

Recovered passages from the original issue text. When the raw archive preserved outbound links inside the source passage, they are listed directly under the quote.

Burn my diaries
January 23, 2025 · Original source
WHAT I DID Sunday, January 19 Wet hair in the lobby at the gym. I am criticized only very slightly, and I am struck with nearly physical rage. I can’t walk anymore today. When I walk, I am compelled to think - then write - about myself. I have this huge body of work. I’ve written 364,133 unpublished words since my birthday in June, but they are all about myself, and the ugliest parts of myself at that. “You must be able to convert some of your journals into work you can use,” some of my friends say, but I don’t think anyone realizes just how bad they are. Any problem, the smallest problem, I can twist and chew and solve, often through written and rotating self deprecation and self congratulation that renders said problem irrelevant. I can do this over and over and over again, for hours daily, if I'm being honest. It’s not necessarily bad as a limited practice - churn out sludge so that it doesn’t live in your mind - but it becomes more and more excessive, nauseatingly so. I meet Madelyn at Shosh for dinner. The snowstorm has started. I texted David at the gym earlier: "big snowstorm coming." "Link me an article or you're full of shit," David said, but I wasn't, because it's here, and it's falling in big fat clumps. Shosh is lovely. It’s a new vegan wine bar in the West Village, which I would roll my eyes at as a concept, but Madelyn’s friends work there and I walk there in the blizzard - enter to a silver bar, an open kitchen, cream walls with a perfect archway cut into them that frames shades of glass wine bottles and assembled rows of thin wine glasses. We don’t get wine, but we do get gem salad, celeriac shawarma with fluffy bread, mushrooms, by which they mean every variety of mushroom you can imagine and a perfect green sauce to accompany. “Hummus is one of those things you think is all the same, but then you have good hummus…,” Madelyn’s friend who works there says, and he’s right, because the hummus here is determinately different. Better. Madelyn tells me she likes showing me good food, and I like this, too. Left to my own devices it’s all instant pistachio pudding and cold mashed potatoes eaten while standing up. This isn’t how one should live - slogging through the essential details of survival and routine like it’s something to get over with, not something to enjoy. At the very least, it’s something to be appreciated. I like meals like this. There’s the Casual Encounters reading later, the fundraiser for Los Angeles reading at that gallery in Tribeca, although all the galleries seem like they are suddenly in Tribeca these days. We’re there early. I can’t find the building, can’t get out of the snow. You do get out of the snow, eventually. You pick a few GoFundMe’s from the options laid out on the table, so many options on the table. You sit on the couch so you’re removed from the room, you have a birds eye view in that sense even though technically, you’re beneath, not above, it all. “You can see the social dynamics from here,” your friend says, kind of kidding, kind of not. You can see how the room clusters itself, at least. I stay for the readings, but not for long after. Walk home in the sleet and ice. It's a blizzard, but nothing is really sticking. Streets are mostly quiet - people in the windows of Lucia and Cipriani but otherwise it’s all empty. My reflection surprises me in the mirror when I get home. I only wear dresses, but today I’m wearing jeans. Mundanity, mundanity, mundanity. David says he wants to go to KGB, and at first I want to go too, but then I decide that I don’t. He leaves, walking into the storm as I’m coming out of it. I start to feel sick around eleven pm. I feel strange, falling asleep. Being sick really scares me. I hope it goes away. Monday, January 20 I expected to wake up sad this morning but I didn't. The snow didn't stick, but a thin layer of it did freeze. I'm sliding down the streets, and they aren't empty anymore. Bright, bright, icy light today. Coca Cola and muffin at the bodega for David. Celsius for me. Green tea mango and Cyanocobalamin. I need black coffee. Inauguration today. I walk and write for ninety minutes. I tried to join the David Lynch Meditation Live Stream at noon, but I got the time zones wrong and I was meant to join at three. It’s five now. Too late. Sitting in a steam room in a cloud of eucalyptus smog. The semester begins tomorrow, and other things, too. An end to my life of leisure, or more generously, an end to responsibility only as self directed. I feel like I was starting to figure it out. Non-fiction in the morning, fiction at night - my friend Grazie advised me of this schedule this summer. Being honest, though, I need more intensive direction. Natasha goes to take snow photos in Washington Square Park, but she says that Jill Stein is there and the park is so so so loud. The theme is: anti imperialism.. She sends me a photo of the birds in the snow. In an ironic twist, David is sick, but I am not. He orders sushi from Soho Sushi. He gives me five pieces from a california roll. I make cinnamon chai tea in the mug my dad got me from the ceramics shop near Mishaum. Every mug there is different. Mine has coarse leaves all over it, and a special rivet where your hand fits. “This apartment is pretty magical when it’s icy,” David admitted earlier, because it’s a greenhouse roof and so when you look up today it’s all like a snow globe. Icicles swirl in soft formations overhead, melting in morning light and then refreezing slightly differently as the sky turns hazy. I have my head under the cover. I’m reading other people’s diaries. Kafka, Anais Nin, I like the diaries I find online, too. I like the diaries I am sent. This isn’t my diary. I cannot stress that enough. My real diary is often quite ugly. This is one of the things I feel most guilty for. It’s strange, though. I wake up, I write in my secret diary, I walk for many miles, I write in my diary that I share online. It is good I will have less time, soon. Anya is staying with me tonight. David, in a friend's spare bedroom because I cannot, cannot, cannot get sick right now, too. It's so nice tonight. Anya and I have been friends since we were two weeks old. I used to tell people that as a child - "this is my best friend since I was two weeks old." Dimes in the snow. Clandestino in the snow. I really like sitting in the corner of a bar until the night reaches its bitter end. Not tonight, though. It's only ten. Tuesday, January 21 My first real responsibility in a month, and it's canceled - a whim of the weather. The snow has melted overnight and in its place is chalky salt stained pavement as far as you can see. It looks like marble. They turned Soho into marble in the night. I try to run outside, but it's too cold. Bitter cold, not pleasant cold. I'm coughing up the chalky air. It's the coldest day of the year. There's a man on the street and he's running towards the train, sloshing coffee all over his suit but he doesn't seem to even notice, certainly he doesn't care. The drops are freezing to the sleeves of his camel hair jacket before they reach the ground. He's covered in little coffee icicles. I doubt it will stain. I had nightmares last night. Everyone knew I was Actually Bad. I woke up saying "help me", but I used to wake up talking about rituals in rural places, so this is not a negative progression in the storyline of my possible possession. The chalky pavement has turned to ice in the afternoon. Walking under the Washington Square arch on the way to Tibet House and its icier than ever. The ground is all glazed over. It’s the latest installment of the Arden Wohl’s reading series at Tibet House; Inauguration Edition this time. Madelyn is wearing a pink sweatshirt when I get there. Madelyn is telling me about knowing your own mind. Alex Auder reads about cock sucking and brings up a friend to read with her who enjoys the act, because she doesn't "I feel demeaned when I suck dick. I feel demeaned when I teach yoga," she says. She reads a story about a life in servitude to someone famous who reminds her of Donald Trump. Tonight is a night where as soon as I have one glass of wine, I wish I didn’t. The haze sets in, and I want it to clear. Beckett arrives. The readings are mostly good, but I’m jittery. I sit in the lobby and I eat some grapes and cheese, replace the wine with water. “Over the years I noticed from my overlord that peasants were increasingly behaving like they were nobles,” Alex Auder is saying, when I return. “There are more cameras than there are people in the world,” Gideon Jacobs is reading, later. I can’t stop drifting in and out of the room. I’m worried about some things, about some people. I get like this sometimes, and I wish I could get it to stop. I go to the bathroom and I return again, to a reading about Courtney Love. “She used to do water ballet and she was getting into the grateful dead.” “She lied a lot and never listened directly but she was a sponge - she takes a word from an incidental periphery and works it into her trope in real time. She’s that fast.” “She said she was born on my birthday; July 1st, but she was born a week later; July 8th” This is my type of lie, I’m thinking. A lie to please. False enchantment. It’s a juvenile compulsion, you mostly outgrow it, and if it was Courtney Love partaking then perhaps it was charming, but my visceral reaction is one of repulsion. Lizzi Bougatsos reads about Gary Indiana. She sits on the floor and she clips her toenails. “We shall mark memory with reverence,” Arden is saying. Beckett is telling me that it’s cool to be at a reading that’s an older crowd, and it is, it’s wine and cheese, there’s no disco party to follow. Beckett introduces me to his acquaintance from Paris. They are talking about Godot and prison sentences. Samuel Beckett gave his Nobel Prize money to a jail org, or was it prisone.org One time, there was a prison break after a performance of Godot. Madelyn is making tape formations on her phone with the other Lacanians. Lacan as separated from psychoanalysis. Lacan as applicable to real life. I’m just gleaning sentences. These ideas aren’t mine. Cigarette outside and then a burger at the orthodox Jewish establishment nearby. We forgot they can only do vegan cheese on burgers here. A lychee martini instead. They’re playing pop music so loud Wednesday, January 23 I hear my neighbors door shut as I’m poised to leave this morning. Decide, instead, to hover in the kitchen. We don't really like each other, my neighbor and I. Nothing was ever said, but there’s an underlying hostility. I have friends over too late, too often. The walls are thin. I'm glad to be waking up at the same time as the rest of the world, though. Sometimes - up all night, becoming manic around five am, this can be nice, but it's usually not. Normal hours. Normal cycles of day and night. The ice has come and smoothed everything over. Too cold to listen to music on my walk to school. I'm peeling off layers in an office, at the gym, the hallway of our apartment is becoming salty and dusted with the chalky snowstorm residue that first coated the surface of everything, and that now is starting to settle. Nothing is volatile. Such placidity, suddenly, but I’m not bored. All the calm in the world. Thank god. It really was about time. And so, you eat two chalky protein pop tarts on the bench at the gym. There are two girls with thick french accents in the locker room parallel to you. "He's a fucking retard, he only calls me at three am and it's only because he wants to sleep with my friends," says one of the girls. She's wearing a sherpa jacket. KHRISJOY, it says, in big red dripping letters. Spray paint imitation. You look it up - $2145 online. It's so ugly, but you're vaguely impressed. Of course you are. You're wearing a Versace sports bra that you bought for a music festival in high school. Absurd. The people watching here is good. The girl is still talking. She's so furious. "And he would be calling to sleep with me, but he knows he can't, fucking retard," she is saying. This version of the narration makes more sense - her rage rooted in something adjacent to jealousy. You gather your things. You gather your tote bags. It's too cold for so many bags. Your hands get numb out there. You're in a humid basement now, but you can't stay here forever. There's an artists talk tonight, but do you have it in you to attend? Cheese and sausage for dinner at home. I forgot about the dishes and I left the sink running for an hour. I’ve never known how to dress for the weather, but that doesn’t mean I mind the extremes. Today - my mother’s gloves, a borrowed Urbit hat from David, a beanie really, it looks insane but it’s too freezing for me to mind. More isn’t always more. More is often so, intolerably, annoying. I don’t want to wear a coat. My books arrive today. Mostly for school, plus one Ruby recommended. I’ll read them all - I’m glad that I have reason to. Salvador - Joan Didion The Company She Keeps - Mary McCarthy The Fire Next Time - James Baldwin Confessions - Saint Augustine The Situation and the Story - Vivian Gornic A Room of One’s Own - Virginia Woolf A Silent Woman - Janet Malcom Are You My Mother - Alison Bechdel The Argonauts - Maggie Nelson The Atrocity Exhibition - J. G. Ballard WHAT YOU SHOULD DO Thursday, January 23 From 6pm - 8pm at 61 Lispenard — Canada NY and Eighth House present Rest and Reprieve: A Window into Creative Solitude. Eighth House is “an interdisciplinary residency for artists and curators located in Central Vermont.” The exhibition serves as a benefit for this very special residency.
Inline links: fundraiser for Los Angeles, https://substackcdn.com/image/fetch/$s_!1LMK!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fd6ba9ea7-5431-438d-968d-03f0204b83b3_1179x624.jpeg, https://substackcdn.com/image/fetch/$s_!TlLq!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F75d232d2-5720-42ad-a6bc-aafacf53eb67_560x562.jpeg, Tibet House, Alex Auder, Gideon Jacobs, Lizzi Bougatsos, Arden, KHRISJOY, Salvador -, The Company She Keeps, The Fire Next Time, Confessions, The Situation and the Story, A Room of One’s Own, A Silent Woman, Are You My Mother, The Argonauts, The Atrocity Exhibition, Canada NY, Eighth House, Rest and Reprieve: A Window into Creative Solitude.
Life-in-a-lab
February 25, 2026 · Original source
Tuesday Life-in-a-lab In my dream, the house was a lab. I woke up to light not just streaming no, but flooding, absolutely pouring through the long glass windows in front of me. I knew that once the light cleared, I would be staring into the heart of this lab. I knew it was a problem that I was anticipating waking up in a lab, because I knew that I should have been anticipating a morning waking up at home. Instead, I was finding myself totally nonplused about waking up in a lab. The important thing, I knew, as I woke up with a sense of increasing urgency, was to conjure up an image of a home, not a lab. You have been in a lab for so long that you have forgotten about home, a very confident voice inside my head was saying. A picture of my childhood bedroom appeared in a few frames. Different versions. Big white bed and blue wooden floors and presently frosty fields behind the house. Little twin bed yellow walls, carpeted floors, and hot summer cornfields outside. I couldn’t get it straight. If I was in a lab, then I needed to remember. You need to remember a place that actually exists, the lab-attendants were saying in my dream. Saying in my head. Glass apartment in the sky. Room at The Marlton Hotel. I’ve been eating vegetables and collecting things like dried flowers and books on Esoteric Health and buying wash-and-fold laundry service and being swept away to places like nice restaurants with no menus and nice-apartments-with-no-owners. I woke up in Connecticut. Can’t wake up in a lab if you never go to sleep. In the morning, I woke up at close to noon. I shared photos on The Internet of a very aesthetically-cohesive and un-lab-like home. I went to the bathroom to wash my face and collect myself as best I could. The house was beautiful, and I was unsure as to why I was watching things unfold from as if I was somewhere else. I made lists of things that were special, being places like this most of all. I made lists of things that compose self respect, and then I made lists of things that compose a life that is bright and white and full of light. The country is quiet and sometimes difficult for me, though I sleep through the night now and this changes everything. Downstairs, the dogs and Celia and the other were sitting under high lofted ceilings. There was a magical and silvery presence that mediation gives to a person. I asked about coffee and they told me there was coffee in the pot and I could heat it up in a silver bowl on the stove. The stove was green and handmade and you turned it on by flicking little metal burner switches. The bowl was nice and very small. I poured the coffee in the bowl and I waited for everything to begin to boil. I added vital proteins collagen and also oat milk creamer and also lots of white sugar because the esoteric health advice of the age says this is fine. There were homemade mini muffins from The Smith Bakery down the street on the counter (blueberry, morning harvest, strawberry corn, and chocolate chip) and so I cut each muffin in half, and then I had one-half-of-each. Two mini muffins total. I put two of the halves in the toaster, and I had two of the halves cold. Everyone started telling me about gnosticism and buddhism and catholicism. They recommended to me a friend who writes about God and married into a famous band. They recommended I come to meditate in places like New York, too. You look ready, Celia said, as I packed up my north face back-pack and changed out of split-sweatpants and banaa-republic-black-top. I’m not, I snapped, in response. Do you actually want to meditate more, Celia asked. I don’t say I want to do things I don’t actually want to do, I replied. I could not stop with all this harshness. Wednesday Grand Central Station Back in New York City and I am totally covered in dog hair. Shoes untied in Grand Central Station but there is nowhere for me to stop and tie them without risking some sort of stampede or at least massive inconvenience and so onward we go. A man just walked towards me rapidly and I flinched and then felt kind of bad. Then, he shouted; young lady can I ask you a question and so now I do not feel bad. My instincts were correct, and now I do not feel bad at all. Ok, fine, whatever. I used to love arriving back in New York and hearing all the music and the lights and I would twirl through this place nonpulsed. Then, I would twirl home. I used to get drunk-before-christmas at the midtown Cipriani and then giggle when people called my ex-boyfriend and I bad-people-for-cutting on the trains toward Albany, but I’m not allowed to move like that anymore. I used to sink into sixty-dollar taxi-cabs because I found the subway over-stimulating. My Prada purse used to be lined with shiny leather, but I got fidgety somewhere tropical and I ripped it all off so now we’re working with something more flattened and matte. Teenage girls used to fling themselves at the side of the train platforms, and conductors used to lose their whole crew in Boston and train heists used to happen. I used to consider everything to be pretty taken-care-of. I think I never used to notice when sometimes, problems would arise. On the train ride back to New York, tonight, the tracks were icy and slick and it was already kind of blue hour dusk. When I said goodbye, I told Celia I love you I love you I love you a million times over because I felt slightly neurotic about a weekend full of being slightly late and slightly harsh. I am smart enough to know that the only thing complaining makes you better at is complaining, so I decided to stop. In Grand Central Station, they are playing live music, and I watch a man propose, though no one else around the soon-to-be newlyweds reacted. No photos or energy. Sad. I am wearing beat up Ganni knee high boots and Brandy Melville long sleeved dress, and Zara blazer that I stole from Paul’s Baby Grande back when I was in the practice of going lots of places and stealing lots of things. I miss my Max Mara coat that I left at “tech week” and I miss “drinking” and I am suddenly desperate to be out the door. I imagine that when the subway doors fly open and I burst out free and all-in-one piece, I will see the Washington Square Park arch, and it will be glowing silver in mid-winter light. I imagine that the city will feel warm with soon-to-be-spring-humidity. I imagine that since groundhog day has come and gone the tides will change soon, and I imagine I will relinquish my Groundhog Day (1993) fantasies of nothing-ever-happens at some point down the line, when it all becomes a bit too much to take. Tomorrow, I will be taking my shoes to the tailor and then the next day, I will have a totally fresh new crop of things to wear. I imagine that soon, I will have a fresh new crop of things to consider. Thursday Whore Dialectics Greenwich Village’s bitcoin bar sports a libertarian clientele and taxidermy and a podcast studio and beef-tallow-fries. Tonight, it sports a projector screen from my old apartment that looks sad and small propped on stage, and a big audience in metal chairs, and a birthday party in the front room, and plenty of opportunities to make myself feel useful as I tinker with film equipment and fire off texts regarding “promotional material.” I am sitting at Pubkey Bar drinking a diet coke while I wait for the screening of “Whore Dialects” to begin. When I ordered my diet coke at the bar, a strange man made a strange joke about NA beer, and I felt immediately irritated and restrained by my self imposed limits. I am listening to a group of young men discuss the career path of “Internet Pervert” as one of the only viable post-AI jobs. Monetize your self destruction, they are saying. Male prostitution. Buying plushies is to women as buying porn is to men. There’s a strange pseudo-intellectual glare to it all and I am enjoying listening in. They are talking about Brian Kaplan, but they keep on mispronouncing his name. They are talking about scientists, rationalists, and flexible proposals. When they talk about Internet Perverts, there are stars in their eyes, less because of the sex, it seems, and more because the internet perverts are able to get some money and get some attention. The male influencer. That seems to be what they are starry eyed about. They are thrilled to be in the same extended universe as someone who might be able to garner some vague attention. This is a bar that usually makes me feel kind of hazy. This is a bar where I used to make scenes. Enough reminiscing, because I am here to watch a film that is all about auto-documentarians, which is in sharp contrast to the maladjusted forms of auto-diary or auto-fiction. In the film, a beautiful girl is in the back of a car with the wind in her face and she is drinking an Erewhon smoothie and talking about how Hollywood is dead and the monasteries are empty and you can’t be a nun or get a phd because you question what truth is, and these institutions just won’t let you get at it. After that, the film cuts to a scene where the girl is in a white dress being play-drowned in the ocean by a right-wing provocateur. The film crew sent the provocateur to stay with the girl, and it was kind of the perfect setup, a voiceover explains. The provocateur describes how when he arrived, the girl was in a state of almost total abjection. Like how kids who are sexually assaulted don’t shower to make themselves totally disgusting and unappealing, he explains. I find the provocateur slightly less interesting as a character than both the girl, and the disgraced art-advisor (another prominent character in the film) but I like when he argues about politics and then reconciles on a personal level with those around him in places like California. I like the scenes about the professionally fraught yet personally friendly relationship between the art advisor and his not terribly successful clients, ie the clients are disappointed but still use the advisor’s pool for summer swims. The client still dreams of having an eighteen person studio because this means tremendous success, and because this is just how men dream. When the provocateur is described but not depicted as losing control, it is explained that the jig is kind of up, because it’s no triumph of power to reign over somebody who is not even in control of themselves. I only watch the film once and I am not taking notes, really, during the public screening at the Bitcoin Bar, but I like it because it is auto-documentary not auto-fiction or auto-diary and as such, it is very precise. The film says, for someone like me in the conditions like the ones I occupy, here is what life is like. This is more matter of fact and less indulgent than saying; here is what life is like for me. At a party last month that was also all about art whores, the filmmakers wrote a few lines about a few of my friends. The women present were on average quite a bit younger than the men and looked fresh. Perhaps because of their age, or perhaps because of the care they put into their bodies and minds, but the vibe among the women was optimistic and exuberant. I thought this was nice. Nice, too, to catch purity in unexpected places while staying totally true. Friday Upper West Side Later, I am uptown and I am thinking about how I can become more self-disciplined so I can become more interesting. I am watching Pierre Le Fou at Lillian’s apartment on the Upper West Side and all the girls are dressed like characters in the film. Lilian keeps leaning out the window with a long skinny cigarette and I am drinking a glass of Sancerre because I just can’t quit. In this film, a very small man is holding a gun to a very beautiful girl’s head while she cuts her hair. The beautiful girl has a brunette bob, and she is wearing a red dress. The film is full of primary colors and very bright paint. When a man is stabbed, he bleeds red paint. Before a man explodes himself in dynamite at the end of the film, he paints himself blue. I like the film because the colors of the gore are all bright and fake like paint, and the colors of the scenery are all pastel and muted and lovely like real life. Summer in The Riviera. Beautiful people living a simple and crime-filled life. I have not watched very many films this year because I’ve been busy writing thirty-thousand-words-about-myself-per-week. In the last film I watched, a Japanese cat was exploded by a grenade, and when gore and guts spilled everywhere, I flinched and clenched my eyes shut. Do you want to leave, my friend asked, and what I wanted was to be resilient, but what I said was I don’t really care. Now, a girl in the film is sitting on a boat with a man, and she is talking about how the two have only known each other for a few million seconds. She’s such a stupid girl, Lillian says. I would say something like that, I respond. One-million-billion-seconds and one-million-billion-words. I am feeling bubbly when I am not feeling sick or shy. I am feeling like it’s time to be more light about it. When I look to my left, I see beautiful stained glass lamps and a defense surveillance tech-branded throw blanket. When I look to my right, I see an open window and all my friends leaning too far outside smoking skinny vogues. On the Internet, people are talking about how things are only interesting if they are true. Determinative reasoning then says, one should make what is true more interesting. Everything just became crystal clear. By which I mean, everything is operating on material terms now. DIRECTORY The full event calendar is now going to live on The Aleph - an exciting new platform by Noah Kumin of The Mars Review of Books. The Aleph is a marketplace and membership club for the arts, with an emphasis on supporting in-person events, production, and funding for artists. Programming featured will be intentional and curated, and include more opportunities for early-access and invitation-only events. If you would like to submit an event for consideration, please email me at chloegpingeon@gmail.com. Apply to join The Aleph here I will still be featuring select events on the blog, along with more eclectic or personal recommendations, news, and guest features. To start: David Rimanelli is perhaps my favorite person to follow on Instagram, as well as one of my favorite critics. Tonight, from 6:30pm at Tibet House, he will be reading, along with Kiely Sweatt and Sean Fabi. Tickets here.
Inline links: https://substackcdn.com/image/fetch/$s_!1h49!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fd95f9aef-d112-4dd9-a0fb-1610ba693067_1536x2048.jpeg, The Aleph, chloegpingeon@gmail.com, https://substackcdn.com/image/fetch/$s_!m6hb!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F5452bedc-f504-4cc0-a6f3-349820bdb9a3_1156x1138.png, David Rimanelli, here

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