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New Haven

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New Haven

Article

New Haven is a recurring place in the Collected Agenda archive, appearing 2 times across 2 issues between December 28, 2024 and January 08, 2026. The archive places it in contexts such as “Stopped at New Haven, pulling out of the station”; “No thieves in New Haven, though I’m pretty sure train heists don’t happen anymore”. It most often appears alongside Boston, Colonial Inn, Concord.

Metadata

  • Category: Places
  • Mention count: 2
  • Issue count: 2
  • First seen: December 28, 2024
  • Last seen: January 08, 2026

Appears In

None.

Source Context

Recovered passages from the original issue text. When the raw archive preserved outbound links inside the source passage, they are listed directly under the quote.

Christmas Stories
December 28, 2024 · Original source
Selection from Toulouse-Lautrec’s Table I intend to qualify nothing. This is always my intention, but sometimes I follow my own rules more closely than others. Do you feel self satisfied when you say that one year changed everything? I would, which is why I’m not going to say it. The train to Boston is late, and then I later learn, cursed. Stopped at New Haven, pulling out of the station, there's a loud thump on my window and then I see a young woman staggering back along the platform. She gears herself up and then hurdles at the train again, slamming her body into another window a few seats down, but now the train is beginning to pick up speed. She starts sobbing as it leaves the station. Her bags are by her side. David is getting whisky and hotdogs at the dining car, but I tell him when he returns. I think you're hallucinating again, he says. Again being the pivotal word, because he suggested I was hallucinating when I saw a jaguarundi in the back garden of an urban hotel in San Salvador, too. The other passengers seem unfazed. Almost inhumanly so. And so, of course, I also wonder if the oddities might be a simple trick of the mind. The train stops again later on. They lost their crew, someone says on the loudspeaker. They will start the train again when they can, but as of now, there is no one to start the train, what with the missing crew and all. There are footsteps running up and down the car halls but I'm in the inner seat and I can't see anything. There are shadowy figures sprinting on the platform. I wonder if we should get off - are train robberies still a thing? - but then we're moving again and then we're in Boston, the oddities unexplained, the hex apparently dissipating in the car ride to the country. Snow and clear skies, here. It’s amazing how quickly the platform in suburbia can fade into a sense that you are the only ones around for hours. Moon over the fields. Pesto pasta for dinner reheated. Far from the backroom haze of a train ride where something was amiss. Tuesday On Christmas Eve Day, we drive to town. Happy Christmas Eve, I tell David. David tells me that he doesn’t consider Christmas Eve to begin before evening. As a matter of semantics, I can’t disagree. It’s a bright morning. Piercing. There’s snow over the fields and I drive slowly round the bends. I prefer when people say happy Christmas to merry, I tell David, and he wrinkles his nose. That's the traditional way, I say. That's the very British way. I'm not being didactic, I'm just being a snob. In the rendition of “A Night Before Christmas” that we read in the evening - there are a few copies around the house but I like the 1870 illustrated paperback copies best - they say Happy Christmas To All. I can't remember all the lines, but I do remember this one. David wants to know if the pond we like to swim in will be frozen. The little ponds are, but the big one - Walden - isn't. I drive faster the further I get from home. You can see the surface churning even from the road. Ripples in gray black water. The surface is moved by wind, not yet stabilized by cold. Christmas Eve Dinner is my favorite meal of the year, but David convinces me to stop at the alcove at Main Street Cafe around three pm. It's like a diner but cozier, he says. The alcove is tucked away down a driveway, near a parking lot, the real restaurant faces the street and it's decked in pine wreaths and dried chains of cranberry and orange. Upstairs, it's bustling. There's a long wait by the pastry shelf. To bring you your food here, in the alcove, the waiter comes outside, walks down the driveway, the door bursts open, we're the only ones left inside. Sitting at the hidden little bar, David convinces me to share corn clam chowder and onion rings - fantastic but now I'm full. I still eat at dinner later. Roast duck and roast goose and cranberry sauce and pie. It feels sweet, and not gluttonous. The season doesn’t feel gluttonous this year. I used to be so averse to this sin - gluttony, that is. Overindulgence hasn’t crossed my mind too much these past few weeks, I suppose a natural conclusion if you believe overdoing it to be a product of self destruction, and not pleasure. This year, I can access Christmas in a way that I can’t recall experiencing similarly since childhood. I like when winter is visceral. A visceral winter is my favorite season. I would like to feel the cold in my bones this year. I would like to feel nostalgia in bursts that are sharp when I walk around certain corners at dusk. I get everything I would like this year. It doesn’t unsettle me. It just means my memories are more precise. It’s a strange thing, to come back into yourself that is. Thursday We sleep til ten, light candles on the Christmas tree, polar swim in Walden Pond. Breakfast is maple butter on toast. Linner is cranberry moscow mules and cocktail shrimp. Later - an icy woods behind the house. The boardwalk over the swamp is caked with snow. I can see Saturn in the sky, even in the early afternoon. There's a Christmas Tree in the woods; a pine strung with ornaments, red and green ornaments, no lights because it's too deep in the forest to power them. We only see one other group on our walk; a family pulling a child in a snowsuit on a sled. Old friends come over for Christmas. You wonder, with these things, if there will still be things to say but then it seems, there always is. I feel grateful to have grown up in the presence of characters. People whose aesthetic and ethical sensibilities remain solid and unique and admirable. We have lasagna and salad by the fire and then pie made from a special type of sweet squash with homemade sweet cream. My mom is telling a story about the sheep farmer across the street and the fist fight she got into at the town swap exchange (the scavenging table at the dump) that got the whole operation shut down for years. The swap exchange was getting out of hand. My mother was being solicited for two hundred dollars in the parking lot to relinquish the neighbor's china that she'd spotted abandoned only five minutes before. The swap exchange was a nice thing though, environmentally friendly. You wouldn't believe the age of the women throwing hands over discarded silver. The dinner table conversation turns to strength of heart. "She has a good heart, they are saying, re the elderly women prone to physical blows over perfectly good silver. “She has a good heart but she has common sense too, and if you are not doing the common sense thing, then she will not withhold harshness.” My parents and their friends are shrugging. Sensibility does come with age. I've been learning this more lately. Level headedness when appropriate, too. Discretion when it comes to suffering fools, gladly or otherwise. We have many special items from the swap table around the house, and I used to find trinkets more of an inconvenience than a joy but I like the red table cloth with the little green and silver pine trees, the metal stars and chimes candle that spins and jingles when lit, the field of rocking horses always growing and dwindling by one or two but remaining a herd of sorts in my parents backyard. I can't stay here very long. The sense of interiority, quiet, the pale beauty of shifting light marking hours and time... it is lovely but it's also in conflict with my sensibility. This is symptomatic of some rot, likely. In another life I am endlessly entertained in the birch trees. Going to bed, it’s been dark for a while now. Here, you see one star first every night. The sun has been setting in a special shade of pale blue this winter. It was dark out the windows by dinner time. You could still see the shadows in the fields. Friday I consider changing my train back to New York, staying here a bit longer, sinking into hazy dusks and evenings by the wood stove and the fires. There was a gas leak in the furnace and so now the gas is off. We've been using the wood stove and the fires a lot. I don't change trains because it's too last minute. I'll become too suspended in time if I stay. There's a pink sunset over salt marshes in places like Mystic, Connecticut on the ride back to the city. I've been trying to work on the things I've put off for too long. I'm been trying to think about the way people talk about culture as I try to write a few reviews. I wrote this sentiment before Christmas -- I know that there are things I'm supposed to be scandalized by, and I'm not really scandalized, but I also remain defensive - it's the worst of all worlds. I have the hearty puritanical roots of a New England Jewish Wasp. It's difficult for me. God it feels good to agree with whatever the person speaking is saying. Now, the truth of it becomes -- morality as a simulacra is so dull. I can spend two seconds in real life and it hits me so starkly how much imitations of reality pale in its contrast. The diagnostics of the times suggests that the individual life becomes more and more disconnected from the collective life, your sphere of influence shrinks as the mirror world of technology gives you every reason to believe it grows, the word of the times isn't nihilism so much as absurdism. One symbol is easily swapped out for its opposite - they bear little material or spiritual significance. You know you don’t mean it. After the terrible Bob Dylan biopic, we're driving on the highway towards the train station and my dad is asking me if there are examples of contemporary genius, what that would look like, and I'm saying that the thing is you have to make a concerted effort to even engage with art at all now, or sometimes to engage even with real life at all and it's an effort that goes against most of the forces in your day to day and so the thing is I think genius is unlikely, although there are contemporary artists I admire and genius implies some innate transcendency of the general malaise anyway, so maybe these issues are irrelevant in the face of genius. A conversation at a coffee shop a few weeks ago - a younger man of the Monarchy school of thought is saying that an ideal society would not ask people to deal in the realm of public good and ruling provenance. Your sphere of influence is yourself and those around you, the best thing that can be done is we drop the illusion. An older man is saying but I've seen you be hugely influenced by the teachings of people you've never met. He's saying that now more than ever, we are living in an age that is cruel. I appreciate his point because - I appreciate learned wisdom and practicality only earned through time. And because, isn't it strange to say that now, more than ever, we live in real life? Finding pure purpose in interiority- this is something that can be learned. It's not something I've learned yet, though. Pure Purpose in Interiority WHAT YOU SHOULD DO This week is prone to slip into oblivion of the sort where you won't really know what you did at all. There is not a ton going on in New York – it's hard to throw a party during a week that doesn't exist. But, you needn't become senselessly bored! Sunday, December 29 From 7pm at KGB – Cassidy and Annabel present The Last Confessions of 2024
Inline links: https://substackcdn.com/image/fetch/$s_!ipqy!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F61f8c38c-c101-44a5-aaa1-17218317525b_4284x5363.jpeg, https://substackcdn.com/image/fetch/$s_!anOr!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F19fb445b-fa79-478c-9e16-cc4b74362148_4284x5363.jpeg, Cassidy, Annabel
Lost Week
January 08, 2026 · Original source
WHAT I DID Monday, December 22 Where do your turtles go in the winter, Zoe asked me, a few nights ago. The pond is made of running water, I said. It doesn’t freeze over, and the turtles just stay put. Zoe leaned forward, then, and told me, in a low voice, not to be affected by the temper tantrums of others. I nodded. I said something about the wind. There’s just been something manic in the wind is all, I said. Zoe nodded. Bright winter light reflecting off the turtle pond like a beam this morning. No natural light in the apartment, and no one really left in the city at this point in the winter, but the courtyard is shimmering shimmering shimmering. Longest night of the year. Early morning. Packing up my bags and then I’ll leave for a while, or at least for one week. The other girls at dinner a few nights ago were talking about the things that necessitate passivity, and the things that necessitate action. I’m thinking of moving to LA and getting super into my career, one of the girls was saying. What sort of career? Creative director. I’ve been getting super into my career right here, one of the other girls chirped. A career is a really important thing for a woman to have, her friend deadpanned. The first girl looked surprised. That was so backhanded. She said. You know I don’t actually want one of those. That was so mean. I think that was the meanest thing anyone has ever said to me. After dinner, I went back to my apartment and I stayed there for a while. For a few days actually, which I have never done before and never will again but the stories were flowing like water and I was drifting in and out of dreams where everyone was yelling around me. The apartment was empty and pale and I could see small objects fluttering slightly from the wind through the open windows every time I opened my eyes. The time passed quickly, like nothing at all, and now it is dusk and a full Winter Solstice cycle later. It’s not that I’ve ever been truly manic, or really even bored. It’s just that I found it easy to stay put, for once. There’s no snow on the walk to Caffe Reggio, but the streets are still white with cold. The order here is veggie soup with grilled chicken chopped up and placed at the bottom of a thick white ceramic cup, a neopolitan pastry, coffee with milk. The cafe is warm and full of cheer even though we are at the top of the Lost Week Of The Year. The goal now is to practice being quiet more. The goal is to distinguish between miracles and curses. There are no curses on the Amtrak to Boston this year, though the light is kind of melancholy and the station is less full than I remember it. I get on the wrong train first, and then it’s eerie and first class all the way down. On the right train, pulling out of New York, there are flames like eternal torches burning outside the factories. and underneath the bridges. Listening to Morrissey and George Martin to remind myself of things that are beautiful. The ride is quick and quiet. No strange women throwing themselves at the side of the carriage. No thieves in New Haven, though I’m pretty sure train heists don’t happen anymore and haven’t for a while. Nobody yells or seems particularly cognizant of their surroundings, least of all of me. Last Christmas, it was chaos all the way to Massachusetts. In the dining car, a man is talking about Snow Days. He can’t help but like snow days, because he likes the way they make his daughter’s face light up. Train snacks come in little packages like secrets. Tinfoil and cardboard and many layers to unwrap. It’s just a hebrew-all-beef hotdog and a white claw inside, but the ordeal of it is nice all the same. “Winter” by Johann Wofgang von Goethe is playing off the radio when I arrive. The drive from the train is dark and silent, except for Davey-the-dog jumping at the window. The old magicians were poets,” the radio is saying. “Their art was not to turn one thing into another, but to seek the hidden form of a thing and put it into words. The essence of the thought is that true creative power lies in revealing the inherent, often unseen, nature of the world through art and language,” a woman is reciting on the radio. Her voice is soft and she speaks in a thick British accent. It’s still dark outside, and pine bows are strung over the wooden rafters, along with baby lights that flicker slowly, on and off. The fields are gray and hazy and soft and sheathed in a light fog so you can still see through the window, but not very clearly. “Everyone who saw her looked away quickly,” the reader is saying, on the radio. “as if what she had could be caught by being close. For her it was only winter. Inside and out. She would carry it with her, wherever she went.” Welcome to Night Tracks, the radio says. Where the land is covered in a blanket of snow. Tuesday, December 23 It did snow overnight. Three glass mason jars of water on the kitchen table, along with orange juice, cups of black coffee, and a lemon tart from the Concord Cheese Shop. The whole set up is glimmering in diamond and crystalline light. Everyone else is gone, for the day, and I know because I could hear them talking on their way out. Something about elevators and broken door knobs and all the horrible ways one can get trapped and then die. Someone my sister knew in a small apartment in Berlin sent the bathroom door knob tumbling out into the living room and thus sealed herself inside. Some friend of a friend got stuck in a careening elevator for hours on end, dropping up and down and lurching faster and faster between the twentieth floor and ground. She was about to make contact with the earth and splinter herself. Really, she was. It was about to happen when the elevator stopped. A fireman emerged with a master key. The friend was fine. One is aware, I could hear everyone saying as they all bundled up in winter coats, that when one dies of claustrophobia, the causation of one’s demise is directly correlated to one’s solitude. The doors slammed and in a rush of cold and morbid conversation and bright morning, everyone was gone. I’m in the woods again, after all that energy. It’s just one week all at once. It’s just ten am and there are still small snow flurries blowing off the evergreen forest. Wednesday, December 24 Christmas Eve - accounting for beautiful hours I went to the salon in the car park by the laundromat, where I used to make snow angels in the dead grass, while I waited as a child.

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