Sean Lynch
Article
Sean Lynch is a recurring person in the Collected Agenda archive, appearing 2 times across 2 issues between February 03, 2025 and September 26, 2025. The archive places it in contexts such as “I see Sean Lynch and others outside. Sean writes something nice on the evening”; “readings by …Sean Lynch, and more”. It most often appears alongside Brooklyn Center for Theatre Research, Los Angeles, Massachusetts.
Metadata
- Category: People
- Mention count: 2
- Issue count: 2
- First seen: February 03, 2025
- Last seen: September 26, 2025
Appears In
Related Pages
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- Brooklyn Center for Theatre Research (2 shared issues)
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- Los Angeles (2 shared issues)
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- Massachusetts (2 shared issues)
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- Time Again (2 shared issues)
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- [[entities/event/abscissa-2|Abscissa #2]] (1 shared issues)
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- Adderall (1 shared issues)
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- Adriana Furlong (1 shared issues)
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- Advil (1 shared issues)
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- Aimee Goguen (1 shared issues)
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- Alex Arthur (1 shared issues)
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- Aliens and Anorexia (1 shared issues)
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- Alissa Bennett (1 shared issues)
External Links
None.
Source Context
Recovered passages from the original issue text. When the raw archive preserved outbound links inside the source passage, they are listed directly under the quote.
Thursday, January 30 And then it's ok. Well, it's not, but it can be. You’ve been taking for granted that it will be ok, if it has to be ok. That if you care about something so, so, so deeply then it cannot possibly be destroyed, but it could, you are capable of this. It feels foreign sometimes, this force, this capacity for destruction, like it can’t belong to you, but it does, it’s no one else’s. It becomes simple, then. You can’t just say I crossed my fingers, you can’t just say I take it back. And so, no more. I'm working the door at Tense tonight, which is my favorite - both TENSE, and working doors, that is. It’s a beautiful night, and this, after everything, is a relief. Christian Lorentzen reads emails with Gary Indiana. “I now believe you can tell if the writer is part of a writing program, by looking at their teeth,” Gary told Christian. "Why does everybody love Downton Abbey?" Gary asked Christian, in another email. "Well, what's not to love? The series construction is so glibly subscribed that you know what will happen before the writers do." In another, he lamented the logistical problems surrounding his writings on Cuba - the travel ban, his lover there, etc etc etc. It's a good format for a reading - the emails thing. Correspondences brought to life. Not quite a diary, but close, more intimate, often, because one isn't writing into the void of one's own neurosis in a correspondence. Madelyn writes me an email, after. I am working on my own correspondence back, still. Mania delays the process. It's good to have a long form conversation to return to. I hope this email finds you well. This email finds me almost incapacitated, but I won't be, soon. Beckett's reading is full of empathy and wit as always. He's lamenting the narcissism of our times in his introductory speech, and his own gut impulses and the stories that follow give him the proper wherewithal to do so. I see Sean Lynch and others outside. Sean writes something nice on the evening. I see Doomers the next day - the dream logic of my thoughts following this production requiring another letter altogether WHAT YOU SHOULD DO Tuesday, February 4 From 7pm at Heaven Can't Wait — Cynosure presents the first of a two night fundraiser for Los Angeles, featuring Alex Arthur, Precious Human, Truman Flyer, and more.
From 8:45pm at Brooklyn Center for Theatre Research — Epiphanies begins; a new reading regular series that focuses on love (for other people or Nature or God) and religious experiences. The first event features readings by Matthew Gasda, Tara Isabella Burton, Stephen G. Adubato, Bob Lain, Sean Lynch, and more. Rooftop party with drinks and treats to follow the readings. Epiphanies is sponsored by Romanticon - “a revival of romantic letters: Sharing and performing the fruits of the intimate.”