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Zara

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Zara

Article

Zara is a recurring brand in the Collected Agenda archive, appearing 3 times across 3 issues between May 27, 2025 and February 25, 2026. The archive places it in contexts such as “I rolled up my Zara blazer that I stole from Paul’s Casablanca lost and found”; “A dress from Zara is kind of Washington-DC-Chic”; “Zara blazer that I stole from Paul’s Baby Grande”. It most often appears alongside Baby’s All Right, Bacchus, Celsius.

Metadata

  • Category: Brands
  • Mention count: 3
  • Issue count: 3
  • First seen: May 27, 2025
  • Last seen: February 25, 2026

Appears In

None.

Source Context

Recovered passages from the original issue text. When the raw archive preserved outbound links inside the source passage, they are listed directly under the quote.

generative and godly secrets
May 27, 2025 · Original source
Tuesday, May 20 Last night, we went to Lucky's for dinner and I had something with tequila and Saint Germaine straight up and he had more non-alcoholic beer. Then, they brought us mountains of shoestring onion rings and a big wedge salad and it was good for a while, until I started to feel sick. I went to the bathroom to play on my phone while the scent of grease dissipated. The drinks were crisp and they brought the shaker right to our table. Lucky's was like a steakhouse, but with a smaller interior than your average We went to Matthew's house after, to sit in his barren family room while he hacked up a lung. I rolled up my Zara blazer that I stole from Paul's Casablanca lost and found after someone stole my blazer first and also back when I was an alcoholic. I curled up under my blazer on Matthew's tiny couch while Matthew and my boyfriend talked in code and made rankings of all their friends. Matthew's apartment was pretty empty except for a whiteboard with a list of girls he likes and a Chinese new year banner and a huge pile of hats that said I'M IMMUNE TO PROPAGANDA. “Jesus, she is combative. you're right, she's so combative,” Matthew told my boyfriend, talking about me. "It's possible that Canne after dark was something that happened in the daytime," he said. "she'll get mad if I ask her why she won't play anagrams," he said. "The activation triggers a chain of events leading to increased dopamine release," he said. Sometimes, when I am with my boyfriend's friends I feel like I am in a video game, or maybe in an orphanage. You don't want to be someone who is contorting your face and yelling. It is morning now. I don't really know what happened there. Being at these parties more sober is strange, because there is nothing else but me and yet I still don't really understand. I am listening to sweet and gentle music, and I feel a total surrender. S - i do feel bad i was not so gentle and kind about this. i get myself trip wired and lose it. but it is always better to be gentle and kind and i understand new york can kill the soul and there is something beautiful in a peaceful house alone and that is why you left which is innocent and pure and it's not fair to be rageful to you for that. Wednesday, May 21 There were two cigarettes and two glasses of wine at Voile de Nuit. This becomes some sort of Diary of Consumption. I met Ellie at a tall house on a wooded street in the West Village where she works on things pertaining to design and then we spent the hours in the courtyard of Voile de Nuit, which I adore because it’s reminiscent of Summer and Reality. I behaved badly the last time I was here. My boyfriend comes by to drop off fries. We run into friends at Caffe Reggio and it's raining by the time we reach home. My boyfriend says: Spreading secrets is entropic Keeping your mouth shut is static Spreading misinformation is generative and godly I do think he is mostly kidding. It's Simone Weil who says about rage - “To be able to hurt others with impunity—for instance to pass our anger on to an inferior who is obliged to be silent—is to spare ourselves from an expenditure of energy, an expenditure which the other person will have to make.” And I wonder which character I am in this story and it's not always the good one. I was thinking about all of that in the novel. That and the self surveillance of it all. Unfortunately, my thought experiments are ruining my life and also, the novel is ending up being All About Me LOL, too. The play tonight (Revolution at Flea Theatre ) is nice, because I walk through the rain to get there and smoke cigarettes outside The Odeon after, and because its depiction is of genuine weirdos, not like Quirked Up, not like the girls my friend texts me about after the party, “have you met them? so spacey!” not like, becoming strange because of course there is some desire to conjure up some personality and if you’re pretty then it’s fine and even appealing to be off-putting. The play is like grocery store clerk alcoholic, gun in the purse grocery store clerk alcoholic, therapy speak coping mechanisms like count up then down then up and it’s employed in the play as the coping mechanism not as an ironic tactic. Drinking beers on a birthday in the back alley and the play is disaffected from glamor in a way that I’m realizing not many things are. Like even most depictions of poverty in a lot of media, at least media coming out of New York at least certainly media surrounding youth culture and a narrative surrounding a party, goes like; we have nothing but we’re slippery adjacent to everything as a result of our charm and good looks and happenstance. The play is like, leftover charcuterie from her husband’s weird mega church and splurging at the liquor store and old cocaine shoved into a bowling ball but there’s an innocence and almost childlike wonderment to the way they tackle the expired drug situation, and the play is not about drugs. There’s a genuine kind of earnest stiltedness to the conversation that lends itself to sincerity. Thursday, May 22 May is quivering right before me; I'm not letting it lapse like April did but there are still smokescreens, silkscreens, my fingers are sleeping right through it. The Club, last night. The Play then The Club. It was smokey and sweet. My lungs felt coated in something sour by the end. The smoking patio was wet with dew and I was kind of floating, not in a bad way. Not hungover, it's something way more visceral but still hazy. I could feel it all start to slip, and so I held onto myself quite tightly. My boyfriend's screen time is 102 hours a day across devices. My face is encased in sheaths of plastic that keep you young, but they're not the temu kind that's weird and freaky. The light I use is Science Backed. I'm thinking of getting into vintage workout wear. I'm thinking of getting into Vlogging. I'm thinking of getting into filling out paid surveys online for luxury perfume sellers that require you to swear your spending habits are High and you like perfume from MiuMiu and you Hate Balenciaga and what perfume means to me is; I think sometimes scents can bring up... nostalgia? I say. Do you own a Prada dress? they ask. We leave the party early - I'm sick and he buys me chicken caesar salad pizza. Aren't you glad we left early so we could dance a little at home, he says. In the living room, the windows are all a little frosted from the rain. There are lights in the neighbors windows across the courtyard but it's thursday night, the rain has stopped. You couldn't have expected everyone to just stay home, really. I notice the people in the windows if he is spinning me across the room. Exhibitionism. I catch myself in the peripheries. The windows. The back of my mind. And I never shut the blinds but that is just no Executive Function or Detail Orientation. I am not some sort of voyeur. Friday, May 23 10:45am, and they are playing some kind of staticy electric classical mashup of music from the Fedex truck outside. "Even as a grad student, I felt they were looking down on chaos," one young man at the Yemeni coffee shop is telling another. Buying: coffee and chicken quiche but none of that is for me. Buying: peanut butter perfect bar and celsius and my boyfriend's screen time is up to 316 hours since midnight since he's doing things indiscernible to me but which he clarifies are Not Fraudulent. I am trying not to write so much in the google doc diaries. It is like I have learned these diaries as a trick, and now I am addicted to it. Now, I can’t do anything else. I must release all thoughts, but to release one thought I must go through, again and again, everything else. And so I go through it all, again and again and again. The thought, and then everything else. We were going to talk more about Spirituality today, but the tripwire keeps happening - stuck on: Vanity and Careerism. I make subheadings to keep myself in check. VANITY. CAREERISM. CAREERISM: Here is where I am: I have the substack for now which is nice this is something that I suppose in some ways is a defining thing I have done but it does not feel like so much it does not feel like it culminates to anything just proof of existence, yes, but everyone has some sort of proof of existence and it is nice to write the story behind something. The story itself cannot just be the story of writing about yourself. And for a minute I was very very very sad and so that plotline became dependable, but that is no sort of thing to rely on. And this is why it cannot all just be the writing of the self. It hasn’t been. [redacted] felt like something different, investigation, beginning middle end, it was not just here I am, it was like a puzzle it was like being very precise with it and it was the biggest thing I have done so far and I sat with it for such a long time. And perhaps I am being dramatic because there are other projects I could start in the meantime but I can’t sit down and make myself think oh what would be an interesting and pithy thing to talk about for somewhere glossy, I cannot do it. I think about doing it and my stomach rises into my throat with how little I care. And so it has to be a story that bursts out of me. There was one, and I can tell there is almost something else too but it’s like David said yes, it’s difficult while you are in the waiting room. Since beginning writing this, my fever got higher, and we are hanging the Bacchus masks around the apartment plus yellow golden softlight and, now I feel more peaceful about it. I wasn’t having so much humility. Nevermind. WHAT YOU SHOULD DO Tuesday, May 27 From 6pm (show at 7pm) at Baby’s All Right — Baby’s Presents a benefit concert for the Immigrant Defense Project with Palehound, The Ophelias, and Grumpy. Dj set by WeTakeManhattan. - “All proceeds from the show will go towards supporting the IDP’s 20+ year mission of fighting for the rights of immigrants targeted for imprisonment and mass deportation via advocacy, litigation, legal advice and training, community defense, grassroots alliances, and strategic communications.” | GA (18+) $38.86, Ticket and Bonus Donation $49.69
Inline links: https://substackcdn.com/image/fetch/$s_!zRlU!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F5106c642-5b7c-4f8f-a799-c60b10039a5d_488x486.png, https://substackcdn.com/image/fetch/$s_!QlxV!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fb9c5eb95-81d2-4503-852b-4bdc513730dd_698x434.png, https://substackcdn.com/image/fetch/$s_!0g1m!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F3da24e28-0d39-4802-abf2-53116dd83b00_308x392.png, Baby’s All Right, Palehound, The Ophelias, Grumpy, WeTakeManhattan
Aura-Abysmal
September 17, 2025 · Original source
WHAT I DID Saturday, September 13 8:01am Driving over the Williamsburg Bridge where the skyline of New York City (the place where the Energies have been swirling back to life but all kinds of evil ones) is now tinged kind of light blue. The gallery last night was orange and swirling with smoke which made me gag. I couldn't really hear the readings. Something about grilled chicken. Do you think we got second hand high, my friend asked me. Do you think anything artistically interesting happens anymore? We found other friends, then, which is a good thing about New York City; insofar as it always feels quite small. We meandered further downtown for a while which was nice despite everywhere feeling a bit like a crime scene and sleep deprivation due to current events in my personal life and also on a more global and national scale. 8:27am There's a cemetery that is green green green in Middle Village and the graves are all topped with angels. There are bumper stickers that say TEACH SOMEONE HOW TO PRAY THE ROSARY on a gray car and MAKE NAZI’S AFRAID AGAIN on a blue car. 8:39am Listening to La Bás by Huysmans on tape in the car. "He could not stay in one place long and kept on inventing reasons to leave the house," the recording says. 11:29am It is sunny in Delaware and the billboards in New Jersey are amazing. Staring at my kind of puffy reflection in a streaked mirror at a rest stop feeling kind of weightless to be outside Manhattan which is kind of how it always goes these days. I do the things I need to do, but I’m not sure if that makes them right. I try to be precise and honest. I have not been acting very Selfless, but there are other things to consider besides Nobility and Sacrifice. Purchase: uncrustables and celsius. Interrogate the mundane because there is only so much one can glean from The Bigger Picture. A dress from Zara is kind of Washington-DC-Chic. This, or a side-zip sale-rack dress from DVF. I pumped my veins full of microplastics and bought an ill-fitting wardrobe. I drank iodine until my thyroid exploded. I got a tick-born illness and now steak tartar triggers anaphylactic shock. It is good that nothing bad has ever happened. 1:00pm Washington DC is Butterworth’s bone marrow for lunch and then the bookstore nearby to purchase a new copy of Paradise Lost and then The National Gallery where I like the Italian Renaissance section best because all the images are very well preserved and reverent. The most special works to me are Frau Angelico’s Adoration of the Magi and David with the Head of Goliath ceremonial shield because it’s satisying to imagine someone going into battle with something so bejewled and decedant despite the cermemonial nature of the shield that renders this idea irrelevant and a painting that I note as just Big Baby which is wonderful because the angel wings depicted are transparent like the light is just starting to rise. There is Cupid With The Wheel of Time and Bachuus floor tiles. Bachuus being; God of wine revelry and fertility. I grew up in a home peppered with masks of Bacchus and, in my old apartment we adorned the walls in masks of Bachuus, too. I tell my friends how I bought one ceramic Bachuus mask in April and then other masks kept on arriving in the mail after that. It was a colorful kind of Venetian mask to start, and then the ones that came after were darker and smaller. Like something out of a horror movie, my friends say. And this is kind of true yes, except like all reverent images or omens one can seek either good or evil or one can also choose to accept that; the most simple explanation is always the true one. And things used to be so much more interesting because everyone was much more reverent, I am thinking. Except then we walk over to the French area where the art is less reverent but more like a fairy tale. Hubert Robert’s The Ponte Salario and Francois Boucher’s Allegory of Painting and Fragonard’s Blindman’s Bluff, which makes me feel full of light Jean Honoré Fragonard’s Blindman's Buff (1775-85) - Photo via The National Gallery WHAT YOU SHOULD DO Wednesday, September 17 From 7pm at EARTH — I Feel Like Seth Price in 2012 commences with BEFORE AND AFTER WRITING book launch and reading and record launch.
Inline links: https://substackcdn.com/image/fetch/$s_!nfdI!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F733585c5-650f-432a-99da-25b0daa4b84a_856x938.png, EARTH, I Feel Like Seth Price in 2012
Life-in-a-lab
February 25, 2026 · Original source
Tuesday Life-in-a-lab In my dream, the house was a lab. I woke up to light not just streaming no, but flooding, absolutely pouring through the long glass windows in front of me. I knew that once the light cleared, I would be staring into the heart of this lab. I knew it was a problem that I was anticipating waking up in a lab, because I knew that I should have been anticipating a morning waking up at home. Instead, I was finding myself totally nonplused about waking up in a lab. The important thing, I knew, as I woke up with a sense of increasing urgency, was to conjure up an image of a home, not a lab. You have been in a lab for so long that you have forgotten about home, a very confident voice inside my head was saying. A picture of my childhood bedroom appeared in a few frames. Different versions. Big white bed and blue wooden floors and presently frosty fields behind the house. Little twin bed yellow walls, carpeted floors, and hot summer cornfields outside. I couldn’t get it straight. If I was in a lab, then I needed to remember. You need to remember a place that actually exists, the lab-attendants were saying in my dream. Saying in my head. Glass apartment in the sky. Room at The Marlton Hotel. I’ve been eating vegetables and collecting things like dried flowers and books on Esoteric Health and buying wash-and-fold laundry service and being swept away to places like nice restaurants with no menus and nice-apartments-with-no-owners. I woke up in Connecticut. Can’t wake up in a lab if you never go to sleep. In the morning, I woke up at close to noon. I shared photos on The Internet of a very aesthetically-cohesive and un-lab-like home. I went to the bathroom to wash my face and collect myself as best I could. The house was beautiful, and I was unsure as to why I was watching things unfold from as if I was somewhere else. I made lists of things that were special, being places like this most of all. I made lists of things that compose self respect, and then I made lists of things that compose a life that is bright and white and full of light. The country is quiet and sometimes difficult for me, though I sleep through the night now and this changes everything. Downstairs, the dogs and Celia and the other were sitting under high lofted ceilings. There was a magical and silvery presence that mediation gives to a person. I asked about coffee and they told me there was coffee in the pot and I could heat it up in a silver bowl on the stove. The stove was green and handmade and you turned it on by flicking little metal burner switches. The bowl was nice and very small. I poured the coffee in the bowl and I waited for everything to begin to boil. I added vital proteins collagen and also oat milk creamer and also lots of white sugar because the esoteric health advice of the age says this is fine. There were homemade mini muffins from The Smith Bakery down the street on the counter (blueberry, morning harvest, strawberry corn, and chocolate chip) and so I cut each muffin in half, and then I had one-half-of-each. Two mini muffins total. I put two of the halves in the toaster, and I had two of the halves cold. Everyone started telling me about gnosticism and buddhism and catholicism. They recommended to me a friend who writes about God and married into a famous band. They recommended I come to meditate in places like New York, too. You look ready, Celia said, as I packed up my north face back-pack and changed out of split-sweatpants and banaa-republic-black-top. I’m not, I snapped, in response. Do you actually want to meditate more, Celia asked. I don’t say I want to do things I don’t actually want to do, I replied. I could not stop with all this harshness. Wednesday Grand Central Station Back in New York City and I am totally covered in dog hair. Shoes untied in Grand Central Station but there is nowhere for me to stop and tie them without risking some sort of stampede or at least massive inconvenience and so onward we go. A man just walked towards me rapidly and I flinched and then felt kind of bad. Then, he shouted; young lady can I ask you a question and so now I do not feel bad. My instincts were correct, and now I do not feel bad at all. Ok, fine, whatever. I used to love arriving back in New York and hearing all the music and the lights and I would twirl through this place nonpulsed. Then, I would twirl home. I used to get drunk-before-christmas at the midtown Cipriani and then giggle when people called my ex-boyfriend and I bad-people-for-cutting on the trains toward Albany, but I’m not allowed to move like that anymore. I used to sink into sixty-dollar taxi-cabs because I found the subway over-stimulating. My Prada purse used to be lined with shiny leather, but I got fidgety somewhere tropical and I ripped it all off so now we’re working with something more flattened and matte. Teenage girls used to fling themselves at the side of the train platforms, and conductors used to lose their whole crew in Boston and train heists used to happen. I used to consider everything to be pretty taken-care-of. I think I never used to notice when sometimes, problems would arise. On the train ride back to New York, tonight, the tracks were icy and slick and it was already kind of blue hour dusk. When I said goodbye, I told Celia I love you I love you I love you a million times over because I felt slightly neurotic about a weekend full of being slightly late and slightly harsh. I am smart enough to know that the only thing complaining makes you better at is complaining, so I decided to stop. In Grand Central Station, they are playing live music, and I watch a man propose, though no one else around the soon-to-be newlyweds reacted. No photos or energy. Sad. I am wearing beat up Ganni knee high boots and Brandy Melville long sleeved dress, and Zara blazer that I stole from Paul’s Baby Grande back when I was in the practice of going lots of places and stealing lots of things. I miss my Max Mara coat that I left at “tech week” and I miss “drinking” and I am suddenly desperate to be out the door. I imagine that when the subway doors fly open and I burst out free and all-in-one piece, I will see the Washington Square Park arch, and it will be glowing silver in mid-winter light. I imagine that the city will feel warm with soon-to-be-spring-humidity. I imagine that since groundhog day has come and gone the tides will change soon, and I imagine I will relinquish my Groundhog Day (1993) fantasies of nothing-ever-happens at some point down the line, when it all becomes a bit too much to take. Tomorrow, I will be taking my shoes to the tailor and then the next day, I will have a totally fresh new crop of things to wear. I imagine that soon, I will have a fresh new crop of things to consider. Thursday Whore Dialectics Greenwich Village’s bitcoin bar sports a libertarian clientele and taxidermy and a podcast studio and beef-tallow-fries. Tonight, it sports a projector screen from my old apartment that looks sad and small propped on stage, and a big audience in metal chairs, and a birthday party in the front room, and plenty of opportunities to make myself feel useful as I tinker with film equipment and fire off texts regarding “promotional material.” I am sitting at Pubkey Bar drinking a diet coke while I wait for the screening of “Whore Dialects” to begin. When I ordered my diet coke at the bar, a strange man made a strange joke about NA beer, and I felt immediately irritated and restrained by my self imposed limits. I am listening to a group of young men discuss the career path of “Internet Pervert” as one of the only viable post-AI jobs. Monetize your self destruction, they are saying. Male prostitution. Buying plushies is to women as buying porn is to men. There’s a strange pseudo-intellectual glare to it all and I am enjoying listening in. They are talking about Brian Kaplan, but they keep on mispronouncing his name. They are talking about scientists, rationalists, and flexible proposals. When they talk about Internet Perverts, there are stars in their eyes, less because of the sex, it seems, and more because the internet perverts are able to get some money and get some attention. The male influencer. That seems to be what they are starry eyed about. They are thrilled to be in the same extended universe as someone who might be able to garner some vague attention. This is a bar that usually makes me feel kind of hazy. This is a bar where I used to make scenes. Enough reminiscing, because I am here to watch a film that is all about auto-documentarians, which is in sharp contrast to the maladjusted forms of auto-diary or auto-fiction. In the film, a beautiful girl is in the back of a car with the wind in her face and she is drinking an Erewhon smoothie and talking about how Hollywood is dead and the monasteries are empty and you can’t be a nun or get a phd because you question what truth is, and these institutions just won’t let you get at it. After that, the film cuts to a scene where the girl is in a white dress being play-drowned in the ocean by a right-wing provocateur. The film crew sent the provocateur to stay with the girl, and it was kind of the perfect setup, a voiceover explains. The provocateur describes how when he arrived, the girl was in a state of almost total abjection. Like how kids who are sexually assaulted don’t shower to make themselves totally disgusting and unappealing, he explains. I find the provocateur slightly less interesting as a character than both the girl, and the disgraced art-advisor (another prominent character in the film) but I like when he argues about politics and then reconciles on a personal level with those around him in places like California. I like the scenes about the professionally fraught yet personally friendly relationship between the art advisor and his not terribly successful clients, ie the clients are disappointed but still use the advisor’s pool for summer swims. The client still dreams of having an eighteen person studio because this means tremendous success, and because this is just how men dream. When the provocateur is described but not depicted as losing control, it is explained that the jig is kind of up, because it’s no triumph of power to reign over somebody who is not even in control of themselves. I only watch the film once and I am not taking notes, really, during the public screening at the Bitcoin Bar, but I like it because it is auto-documentary not auto-fiction or auto-diary and as such, it is very precise. The film says, for someone like me in the conditions like the ones I occupy, here is what life is like. This is more matter of fact and less indulgent than saying; here is what life is like for me. At a party last month that was also all about art whores, the filmmakers wrote a few lines about a few of my friends. The women present were on average quite a bit younger than the men and looked fresh. Perhaps because of their age, or perhaps because of the care they put into their bodies and minds, but the vibe among the women was optimistic and exuberant. I thought this was nice. Nice, too, to catch purity in unexpected places while staying totally true. Friday Upper West Side Later, I am uptown and I am thinking about how I can become more self-disciplined so I can become more interesting. I am watching Pierre Le Fou at Lillian’s apartment on the Upper West Side and all the girls are dressed like characters in the film. Lilian keeps leaning out the window with a long skinny cigarette and I am drinking a glass of Sancerre because I just can’t quit. In this film, a very small man is holding a gun to a very beautiful girl’s head while she cuts her hair. The beautiful girl has a brunette bob, and she is wearing a red dress. The film is full of primary colors and very bright paint. When a man is stabbed, he bleeds red paint. Before a man explodes himself in dynamite at the end of the film, he paints himself blue. I like the film because the colors of the gore are all bright and fake like paint, and the colors of the scenery are all pastel and muted and lovely like real life. Summer in The Riviera. Beautiful people living a simple and crime-filled life. I have not watched very many films this year because I’ve been busy writing thirty-thousand-words-about-myself-per-week. In the last film I watched, a Japanese cat was exploded by a grenade, and when gore and guts spilled everywhere, I flinched and clenched my eyes shut. Do you want to leave, my friend asked, and what I wanted was to be resilient, but what I said was I don’t really care. Now, a girl in the film is sitting on a boat with a man, and she is talking about how the two have only known each other for a few million seconds. She’s such a stupid girl, Lillian says. I would say something like that, I respond. One-million-billion-seconds and one-million-billion-words. I am feeling bubbly when I am not feeling sick or shy. I am feeling like it’s time to be more light about it. When I look to my left, I see beautiful stained glass lamps and a defense surveillance tech-branded throw blanket. When I look to my right, I see an open window and all my friends leaning too far outside smoking skinny vogues. On the Internet, people are talking about how things are only interesting if they are true. Determinative reasoning then says, one should make what is true more interesting. Everything just became crystal clear. By which I mean, everything is operating on material terms now. DIRECTORY The full event calendar is now going to live on The Aleph - an exciting new platform by Noah Kumin of The Mars Review of Books. The Aleph is a marketplace and membership club for the arts, with an emphasis on supporting in-person events, production, and funding for artists. Programming featured will be intentional and curated, and include more opportunities for early-access and invitation-only events. If you would like to submit an event for consideration, please email me at chloegpingeon@gmail.com. Apply to join The Aleph here I will still be featuring select events on the blog, along with more eclectic or personal recommendations, news, and guest features. To start: David Rimanelli is perhaps my favorite person to follow on Instagram, as well as one of my favorite critics. Tonight, from 6:30pm at Tibet House, he will be reading, along with Kiely Sweatt and Sean Fabi. Tickets here.
Inline links: https://substackcdn.com/image/fetch/$s_!1h49!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fd95f9aef-d112-4dd9-a0fb-1610ba693067_1536x2048.jpeg, The Aleph, chloegpingeon@gmail.com, https://substackcdn.com/image/fetch/$s_!m6hb!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F5452bedc-f504-4cc0-a6f3-349820bdb9a3_1156x1138.png, David Rimanelli, here

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